Originally published on Thu April 11, 2013 8:26 pm
You might be tempted to call World Cafe's Sense of Place: Nashville guest Moon Taxi a jam band — that is, if its instrumental excursions weren't so concise, carefully thought-out and frequently refined in the years it's spent touring.
The quintet formed at Belmont University in Nashville and released its debut, Melodica, in 2007. Moon Taxi's second studio album, Cabaret, came out last year. Here, the band performs an intricate live set and discusses what makes Nashville's independent music scene special.
Originally published on Thu April 11, 2013 8:27 pm
Tom Angelripper has been a part of the brash German thrash-metal game for more than 30 years now. Sodom's damning 1989 anti-war screed, Agent Orange, is a bona fide classic, but the impeccably named bassist and vocalist still has plenty of targets to hit and thundering bass riffs to deploy. Therein comes crashing "Stigmatized" from Sodom's 14th studio album, Epitome of Torture.
There was a "fire in the belly" feel when Brainstorm took the stage at TenOak in Austin, Texas, during the South by Southwest music festival this past March. In its best moments, the trio from Portland, Ore., has an edge that embodies both African highlife guitar and the sounds of late-'70s post-punk a la Gang of Four.
Originally published on Wed April 10, 2013 5:26 pm
Today's guest, Leagues, provides a perfect start to World Cafe's week-long visit to Nashville, because it perfectly encapsulates the change going on there. A new rock band, Leagues was formed by an amazing singer, Thad Cockrell, who'd been so disenchanted with his alt-country career that he was ready to leave the music business altogether.
Calexico makes its third appearance on Mountain Stage, recorded in front of a sold-out audience in Charleston, W.Va. Founded by singer-guitarist Joey Burns and percussionist John Convertino, Calexico has spent nearly two decades fusing spaghetti Western themes, surf music and alt-country into evocative desert rock. The band's lineup has expanded to include Jacob Valenzuela and Martin Wenk on trumpet, Sergio Mendoza on keyboards, Ryan Alfred on bass and Paul Neihaus on pedal steel.
Originally published on Mon April 8, 2013 10:41 am
The Postal Service was a band for a generation — the soundtrack to romance, tears and friendship. More than a million people bought its first album, 2003's Give Up, then waited anxiously for a follow-up that never arrived.
There'd be nothing wrong with "one-hit wonder" status if the term didn't suggest some sort of creative limitation; if people didn't assume that one hit means only one good song. But for Sean Nelson and Harvey Danger, the 1998 smash "Flagpole Sitta" has had a way of overshadowing the superior but less widely heard material that followed. By the time Harvey Danger self-released the tremendous 2005 album Little By Little..., the group's incisive, catchy, thoughtful post-hit songs were known mostly to obsessives and cultists.
The new video for STRFKR's song "Beach Monster" is an absolute horror show disguised as a breezy day at the sea. The band members, decked out in matching Buddy Holly suits and glasses, play against an blank blue background while staring blankly into the camera. The scene is intercut with a smiling couple at the beach with two children who draw in the sand and uncover something deadly.