Some believe that there are only four Rolling Stones, but then some say there's a fifth: keyboardist Chuck Leavell. He's been on tours with the band for more than 30 years — but that hasn't been his only gig. At 20, he was asked to join The Allman Brothers Band.
Originally published on Wed September 25, 2013 3:45 pm
An indie-rock quintet based in Portland, Ore., Houndstooth features singer Katie Bernstein and guitarist John Gnorski — both of whom are originally from Austin, Texas. The band's sound reflects both hometowns, with Gnorski's loping guitar riffs hinting at bluesy Southern influences.
Between the City of Brotherly Love and the Steel Belt of Pittsburgh, there's plenty of rural countryside in the state of Pennsylvania. So when Pearls & Brass drummer Daughn Gibson wasn't touring the U.S. playing that band's strain of heavy '70s-style rock, he took blue-collar gigs as a long-haul trucker and warehouse worker. And, when that band ended, Gibson took to recording his own music. His 2012 solo debut, All Hell, found his country roots showing through the crackly lo-fi loops and stark piano songs, all of it sticking thanks to Gibson's well-deep baritone.
Jimmy Eat World is perhaps best known for its hit "The Middle." The peppy tune, released in November 2001, may have been just what an America recovering from the attacks of Sept. 11, 2001, needed. But the band's timeline extends for years in both directions; this year it celebrates two decades together.
To look at Jonathan Wilson is to know where he's coming from. There's the long, straight hair tied back; the well-kept but not exactly neat beard; the army-green coat over a well-worn band T-shirt: It all evokes '70s hippie chic, tempered by a contemporary sense of taste.
Slow and steady wins the race, but sometimes, as in life, you need a moody sidekick to get you through it. (Or maybe that's just Daria.) Over the course of three mid-tempo albums, True Widow's stoner-rock and shoegaze mix (dubbed "stonegaze," of course) trudges with back-breaking heft. It's actually perfect music for hiking — tough and determined, yet as hypnotic as the rhythmic crunch of dead leaves beneath your feet.
On the The Old School, bluegrass legend Rowan delves further into his legacy as one of Bill Monroe’s Bluegrass Boys with some of the first generation players who really know “the old school”, while welcoming younger players considered to be the torchbearers for the future of bluegrass music. The album includes 11 Rowan originals and a rework of “Freedom Riders,” the Civil Rights anthem made popular by Odetta.