Originally published on Wed October 2, 2013 3:32 pm
After working together for more than a decade, the members of Stockholm's Shout Out Louds continue to make lush, highly melodic pop music. The product of a year and a half of tinkering, their recent Optica is significantly lighter-sounding than its predecessors.
On this installment of World Cafe, hear the group discuss how it navigated new musical experiments on the album, and how all of its members finally came to agree on how Optica should sound.
Jim James has spent his career singing big, booming songs that echo into the sky. With My Morning Jacket, he specializes in letting his gigantic voice ring out past the rafters in songs that boom and blare. But on his first solo album under his own name, this year's Regions of Light and Sound of God, James turns inward and recasts himself as a lost wanderer in search of redemption, salvation and comfort.
Pete Yorn has long had a way with hooky rock songs, so it was easy for him to connect with fellow L.A. musician J.D. King over a mutual love for '60s music. The two first started recording together just for fun, blending folk-rock and subtle psychedelia into a joint project they call The Olms.
Originally published on Sat August 10, 2013 7:12 am
We get a lot of mail at NPR Music, and amid the heavily taped packages that can't be opened without the aid of a utility knife and a blowtorch is a slew of smart questions about how music fits into our lives. This week: an array of tips for anyone hoping to launch and sustain a career in music journalism.
Originally published on Thu August 8, 2013 11:46 am
We forget to listen closer, look closer. As a big-picture kind of guy, I do that myself, and that means missing details that make day-to-day life more vivid. Listening to High Aura'd, it's apparent that creator John Kolodij hears life with great clarity. Last year's Sanguine Features was a personal favorite of mine: a dark and buzzing LP that, when turned up loud, felt like a dark hallway with treasures tucked away in the corners.
Hanni El Khatib and his band braved sharp desert succulents, chilly temperatures and an aggressive maraca for this performance of the appropriately titled "Save Me." The Los Angeles singer-songwriter, on a break from touring in support of his latest album In the Dirt, gamely stripped down his loud, bluesy garage-rock sound and let the stunning backdrop of Joshua Tree National Park provide the drama.
When Telekinesis' Michael Benjamin Lerner plays live, he sings from behind his drum set, but he plays almost all the instruments on his albums. The power-pop multi-instrumentalist recorded his latest record, Dormarion, at Spoon drummer Jim Eno's house — fittingly located on Dormarion Lane.
WEXT's Ernesto Lechner On "Lluvia Con Sol" By Orquesta El Macabeo
You know the drill by now. Each month, NPR Music polls public-radio personalities and asks them to share their favorite new song with the world. You get to download the track. Here's this month's panel: