When most people think of Palm Springs, visions of softly baked desert landscapes come to mind. However, upon arriving at the Palm Springs Aerial Tramway, we were warned that the temperature differential between the desert and the top cliff of the Chino Canyon was about 30 degrees — cold enough that it would require warm clothing and an adventurous spirit. But Wild Nothing singer-songwriter Jack Tatum and his tour players were game to load onto the rotating tram car and ascend to more than 8,500 feet above sea level.
Originally published on Fri October 4, 2013 9:17 am
British producer and singer Jamie Lidell is one of electronic music's funkiest solo practitioners. When Lidell visited World Cafe in 2006 to support his successful album Multiply, he told host David Dye that he had been called the "one-man human funk tornado" — a moniker he earns yet again in this session.
In this installment of World Cafe, Lidell plays songs from his latest self-titled album and discusses the process of making the record at his new home studio in Nashville.
If the wrath of heaven sounds anything like Locrian, then archangel Michael has been digging into the prog-rock bin lately. The loosely Chicago-based trio has always had grand ambition, dissolving and rebuilding the darker sounds of ambient, noise and metal on its own and in several collaborations (Mammifer, Christoph Heeman and Horseback among them). Return to Annihilation continues in that vein, but is far more rhythmic, hypnotic and Popol Vuh-lic.
Originally published on Fri October 4, 2013 8:45 am
At a Red Baraat show, the combination of Punjabi Bhangra music, New Orleans-style jazz, go-go and even hip-hop is so seamless — and the vibe of the party is so exuberant — that barriers fall down. That unique sound is what Red Baraat's leader, Sunny Jain, had in mind when he formed the band in Brooklyn in 2008.
Autopsy just wants to make nasty death metal, okay? No technical this, no frip-frappity-do that, and by the re-animated corpses of hellbound souls, ain't nothing going to change about it. From the late '80s to the mid-'90s, the Bay Area band was an anomaly among speed demons: a chaotic horde given to lurching rhythms, maniacal guitar solos and drummer Chris Reifert's escaped-mental-patient howls.
For its return to KCRW's Morning Becomes Eclectic, the Detroit duo Dale Earnhardt Jr. Jr. brought with it some new tracks, a ton of dance-happy beats and, of course, a saxophone. After previously touring as a duo, Joshua Epstein and Daniel Zott brought in extra players to fill out a bigger sound, yet the simplicity of their signature pop songs still sets them apart. "War Zone" is a great indicator of what's to come on their forthcoming full-length album, due this fall.
Ivan and Alyosha started out as the duo of Tim Wilson and Ryan Carbary, with the band's name coming from characters in the Russian novel The Brothers Karamazov. The two met in 2007 and immediately attracted strong national praise for their first EP, The Verse, The Chorus.
After a band breakup, musician Chris Snyder consoled himself with the challenge of what he called "the threesixfive project": a challenge to write a song every day for a year. This one-man band ended up with 10 songs that stuck, and those formed his debut album, Yearling.
The Brooklyn multi-instrumentalist eventually got a chance to revisit the recordings, which initially were little more than sketches, in an upstate New York studio. Listen to two songs from Yearling here.