It's hard to find another band that's stayed as true to its vision as Low. Alan Sparhawk and Mimi Parker have been making Low records for 20 years now, and just released their 10th full-length album, The Invisible Way.
Kurt Vile is sometimes known as a shredder, which isn't exactly right. His guitar playing is accomplished, but it doesn't blow your hair back so much as wrap it gently in a worn, sun-bleached kerchief.
In this installment of Heavy Rotation — where we bring to you public radio's new favorite songs — we collaborated with KCRW in Santa Monica, Calif., to bring you an exclusive track from British singer Laura Mvula's session on Morning Becomes Eclectic, plus enjoy a download from rising post-punk band Savages, courtesy of WXPN in Philadelphia.
Of the many things made in Michigan that have become part of the fabric of American culture — the auto industry, Motown — punk rock is often overlooked. In 1967, years before The Sex Pistols performed incendiary anthems, Iggy Pop and his band The Stooges created an explosive new sound in Detroit that would influence generations of musicians.
The first incarnation of the Seattle band Pickwick revolved around Galen Disston's strummy acoustic songs. Disston eventually found himself bored with his own music until a not-so-subtle shift took place; the band began experimenting with new sounds and ideas, Disston shifted into the role of lead singer and crowds immediately noticed.
In this installment of World Cafe, you'll hear three songs from Pickwick's debut (Can't Talk Medicine), as well as the full story behind the band's reinvention.
Deafheaven makes music that's both intensely personal and incredibly universal. Its excellent 2011 debut, Roads to Judah, was a blast-beaten, shoegaze-indebted metal record that felt perfectly of its moment. With the new Sunbather coming up so quickly, I wondered where primary members George Clarke (vocals) and Kerry McCoy (guitar) could take a band with such an immediate sound. Apparently, I needn't look further than the Internet.
After six years as a sideman for many soul veterans, Marc Ribot made his name in 1985 with Rain Dogs, the album that marked Tom Waits' permanent transition from eccentric singer-songwriter to truly weird singer-songwriter. Ribot has held down straight gigs since then, but his work has tended toward the avant-garde. That's much less true on the song-oriented second album by the trio he calls Ceramic Dog.