Originally published on Wed October 2, 2013 3:32 pm
The French band Phoenix seems to be appearing at the top of music charts all over the world. In 2009, Phoenix's album Wolfgang Amadeus Phoenix guided them to fame with popular tracks like "1901" and "Lisztomania."
We get a lot of mail at NPR Music, and amid the shampoo samples we accidentally tossed into the fireplace is a slew of smart questions about how music fits into our lives — and, this week, the etiquette surrounding the giving and receiving of mix CDs.
Emily Wells is one woman with the force of a band — and her sound has evolved as much as her setup. Starting with a loop pedal and a violin, she's incorporated additional instrumentation to add depth to her hip-hop-influenced style, which is one part Biggie and two parts lullaby.
Rodrigo (Sanchez) and Gabriela (Quintero) are two fast-fingered, Dublin-based, Mexicans with a unique sound created on acoustic guitars. Their music is difficult to define, straddling both world and rock, and often imbued with timeless Hispano–classical influences. The fire in it comes from their life-long passion for metal music.
"This is just an awesome, inspiring place to make music." Those are the words of Jake Wachtel, who directed this music video for John Vanderslice. And the place he's talking about, well, it's John's heart and soul really: It's a recording studio called Tiny Telephone located in San Francisco's Mission District.
Originally published on Fri October 4, 2013 9:03 am
The fun, aggressive pop band BRONCHO is reminiscent of both The Ramones and Weezer. Straddling the line between pop and punk, the band's 2011 debut Can't Get Past The Lips has 10 songs but clocks in at just 20 minutes.