It's a family affair for Seattle artist Noah Gundersen. Accompanied by his sister, brother and friends, the soft-spoken singer-songwriter performed a dynamic, yet delicate Morning Show session featuring tracks from his debut full-length, Ledges.
Diane Cluck has been under-appreciated for so long, it's hard not to try to make up for lost time. So, before you listen to Boneset for the first time, take a few minutes to listen to one of the best songs of the last 10 years: "All I Bring You Is Love," from Cluck's fourth album Oh Vanille / Ova Nil.
Originally published on Thu March 13, 2014 9:41 am
We're just now starting to recognize early-aughts downloads with the same nostalgic air that we do a lucky score at a record store. Slow modems, improperly tagged files, Sharpie-scrawled CDRs — well, at least some of us think of those times fondly. It's an odd relationship, clicking on a not-so-legal rip of an all-too-rare LP only previously known to record-store clerks and collectors, knowing that it's only a poor facsimile. But there's still the thrill of discovery, however removed from the source.
The story of how singer and guitarist Domenic Palermo came to form the noise-rock band Nothing sounds like a Behind the Music episode gone bad. Growing up in the crime-infested neighborhood of Kensington in Philadelphia, Palermo hung with a tough crowd that, in his own words, drove around with large amounts of cocaine and guns while listening to My Bloody Valentine's Loveless.
In three albums as St. Vincent, plus the 2012 David Byrne collaboration Love This Giant, Annie Clark has proven adept at writing rock songs that flirt with the tense and uneasy. Her streak continues on St. Vincent, a new album replete with dissonances and distortions that make even its prettiest melodies read as disturbing.
A lot of obscure bands want to reach a national audience, and they send their records to NPR. Unfortunately, there's a lot of forgettable stuff in the mix, and recently the staff of All Things Considered received the kind of CD it would usually toss.
It's got a pair of singles by two bands — The Blue Jean Committee, which came out of the 1970s Massachusetts folk scene; and The Fingerlings, a British post-disco/synth band of art-school graduates. Both sound desperately tiresome.
Originally published on Fri February 21, 2014 5:03 pm
We get a lot of mail at NPR Music, and amid the Beck single that keeps tricking us into thinking it's the new Beck album are a slew of smart questions about how music fits into our lives — and, this week, thoughts on when superfans sever their allegiances.
Today on World Cafe's Sense of Place we speak with John Timmons about the Louisville music he knows so much about, and he picks the five greatest all-time Louisville artists. Timmons moved to Louisville in 1975 and opened one of America's great record stores, Ear X–Tacy, in 1985. It had a good run until 2011.
John Timmons' 5 Greatest Louisville Bands Of All Time: