The latest video for the Canadian electro-pop band Young Galaxy is a study in stark, disturbing contrasts. "Here it comes again, the beautiful, warm weather," sings frontwoman Catherine McCandless, just as all hell breaks loose.
This month on Heavy Rotation — the series in which public-radio hosts and DJs share their favorite new songs — we have music from all over the map. Hip-hop, punk, EDM, folk, pop: It's all here. Meet this month's panel of pickers:
David Dye, host of NPR's World Cafe
Rita Houston, program director of WFUV in New York City
David Brown, host of Texas Music Matters for KUTX in Austin
Jessi Whitten, music director at Colorado Public Radio's OpenAir indie station
We're about to get deep into our "Best Of The Year (So Far)" coverage - and our annual summer music preview. But before we do, we've still got a lot of great music from the first half of 2013 to share. On this week's All Songs Considered, hosts Bob Boilen and Robin Hilton play new releases from some beloved artists who made some amazing records in the '90s, then went on extended breaks.
When most people think of Palm Springs, visions of softly baked desert landscapes come to mind. However, upon arriving at the Palm Springs Aerial Tramway, we were warned that the temperature differential between the desert and the top cliff of the Chino Canyon was about 30 degrees — cold enough that it would require warm clothing and an adventurous spirit. But Wild Nothing singer-songwriter Jack Tatum and his tour players were game to load onto the rotating tram car and ascend to more than 8,500 feet above sea level.
Originally published on Fri October 4, 2013 9:17 am
British producer and singer Jamie Lidell is one of electronic music's funkiest solo practitioners. When Lidell visited World Cafe in 2006 to support his successful album Multiply, he told host David Dye that he had been called the "one-man human funk tornado" — a moniker he earns yet again in this session.
In this installment of World Cafe, Lidell plays songs from his latest self-titled album and discusses the process of making the record at his new home studio in Nashville.
If the wrath of heaven sounds anything like Locrian, then archangel Michael has been digging into the prog-rock bin lately. The loosely Chicago-based trio has always had grand ambition, dissolving and rebuilding the darker sounds of ambient, noise and metal on its own and in several collaborations (Mammifer, Christoph Heeman and Horseback among them). Return to Annihilation continues in that vein, but is far more rhythmic, hypnotic and Popol Vuh-lic.