Music

Music

"Glass Walls," from The Terminals' new album Antiseptic, revels in an antiquity that's earned through experience. There may not be any better way to gain perspective on the history of this Christchurch, New Zealand, band than to start at the beginning of that journey. For that, we'd have to look all the way back to when guitarist and vocalist Stephen Cogle and drummer Peter Stapleton cut their teeth in Vacuum — a late '70s outfit that, in sound and membership, forms a Rosetta stone for Kiwi underground music.

Tim Darcy has a gifted voice, with a delivery that triggers the Lou Reed and Roy Orbison pleasure centers of my brain. The words he delivers are mysterious and mellifluous, playing in my mind's ear long after his newest album, Saturday Night — so named because it was mostly recorded on the weekends in the midst of making his other band's second album — comes to its close.

A newly released, not-quite-reissue album has shed some very eagerly awaited light on rarely heard music music made by one of the most fascinating — and even arguably misunderstood — musicians in jazz: the late pianist, organist, harpist, keyboard player, composer and spiritual leader Alice Coltrane Turiyasangitananda.

Listen to John Darnielle's early solo Mountain Goats albums — those raw-nerved, stripped-bare, white-knuckle, guy-and-guitar recordings he committed to warped cassette tapes all those years ago — it's hard to imagine all the creative side roads he'd one day follow.

Angaleena Presley tells it like it is. The Kentucky native first gained national attention as one-third of the Pistol Annies, the groundbreaking country trio that also included Miranda Lambert and Ashley Monroe.

We've known Haim's newest record, Something To Tell You, was on its way for less than a month and yet they've packed in a P.T. Anderson-directed music video (for "Right Now") and the release of follow-up single ("Want You Back") and a Saturday Night Live performance of the latter, joined by yet another single ("Little of Your Love"), last night.

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Canadian singer-songwriter Simone Schmidt, who performs under the name Fiver, undertook an ambitious project with her latest album. Audible Songs From Rockwood is Schmidt's way of telling the stories of real people committed to Rockwood Asylum, a 19th-century institution near what's now Kingston, Ontario.

The performance by Salvador Sobral, this year's winner of the Eurovision Song Contest, was different than the others.

Most of the performances are noted for a lot of glitz and being pretty cheesy.

Twenty-five competitors carried on that tradition this year — performing on a wide stage backed by flashing lights, bursts of flames and other effects.

Sobral took a different take in his performance on Saturday — singing from a small elevated circle in the middle of the crowd.

Otis Gibbs On Mountain Stage

May 12, 2017

Alt-country singer-songwriter Otis Gibbs makes his debut on Mountain Stage, recorded live on the campus of East Tennessee State University in Johnson City, Tenn.

T.S. Monk On Piano Jazz

May 12, 2017

Percussionist T.S. Monk was born into the world of jazz.

As the old adage goes, "you never get a second chance to make a first impression." Fifty years ago — May 12, 1967 — the Jimi Hendrix Experience made about as tremendous a first impression as it gets. The band's first full-length record, Are You Experienced?, is widely considered one of the greatest debuts in rock and roll. It introduced audiences to pyrotechnic psychedelia, amps that were at once incendiary and melodic and an artist that would define the dreams of nearly anyone who picked up a guitar for years to come.

Did you know Fetty Wap played Martin Shkreli's office Christmas party in 2015?

Moses Boyd Exodus ended its performance at the 2017 South by Southwest music festival with a rampaging take on its trademark tune, "Rye Lane Shuffle." Drummer Moses Boyd, the band's young founder and namesake, rumbled freely on his toms, joined by a fervent-sounding Binker Golding on tenor saxophone. The groove that emerged was Nigerian Afrobeat by way of a modern jazz metropolis — one with every resource at hand.

Few artists have conquered underground dance music as swiftly as Maceo Plex. Over the past decade, the Miami-born producer (real name: Eric Estornel) known for powerful, sultry deep house and techno has deftly walked the tightrope between the underground and the mainstream: prominent enough to headline a stage at Coachella yet niche enough for Europe's highbrow club circuit. It's the kind of impossible sovereignty most DJs dream of, but Estornel knows it won't last, especially in today's volatile climate. So he's shifting gears.

In 2014, when the band Hundred Waters programmed the first installment of its FORM festival in the eco-friendly desert village known as Arcosanti, it was an entirely DIY affair.

After four chords, the notes start to fly — Danilo Brito and his four collaborators, three Brazilians and one American, are off like jackrabbits in front of a hound, having hustled their instruments to the Tiny Desk at the end of a North American tour.

Brito a 32-year-old mandolin player, made his first record when he was a teenager, plays a type of music called choro (pronounced "shore-oo").

Jay Z may be one step closer to becoming hip-hop's first billionaire. The day after appearing on an annual shortlist of hip-hop's wealthiest artists. With an estimated net worth of $810 million, the rapper and entrepreneur has announced a new deal with Live Nation that could put him over the top, Variety reports.

You might have seen Maggie Rogers wowing Pharrell Williams in a viral video that captures the time she played him her song "Alaska" during a master class at NYU. In the video, as "Alaska" plays, you can see Pharrell is feeling it — and when the song ends, he gives Rogers his feedback: "Wow. I have zero, zero, zero notes for that. And I'll tell you why.

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