Not long ago, Nick Lowe was approached by his American record label about releasing a Christmas album. The esteemed UK songwriter, who gave the world "(What's So Funny 'Bout) Peace, Love, and Understanding" and "Cruel to Be Kind," says the idea seemed laughable.
"But I was confused by how snooty I felt when they asked me about doing it," Lowe says. "I think it's a Brit thing, really: Making Christmas records is seen as a not very cool thing to do. And I thinkg it's all bound up with strange ideas from the 1960s, about selling out and things like that."
The Bobs' members appear on Mountain Stage, recorded live at the Culture Center Theater in Charleston, W.V. Zany a cappella groups have become a bit of a thing in recent years, and these guys were doing it way back in the early '80s. The group formed on the West Coast when two of its founders lost their jobs at a telegram company.
Taylor Muse is the 31-year-old bandleader and songwriter of Quiet Company, an indie-rock band from Austin. A native of East Texas raised in a Southern Baptist church, he now reluctantly carries the banner of "that atheist rocker from Austin."
"Every band that I was in up until college was a Christian band," Muse says. "It was part of our identity as people, our identity as a community. It was everything."
Dominique Pruitt makes her first appearance on Mountain Stage, recorded live at the Culture Center Theater in Charleston, W.V. Pruitt grew up in the San Fernando Valley outside Los Angeles, surrounded by professional musicians, including her parents. When she saw the John Waters film Cry-Baby as a child, she immediately became fascinated with all things '50s, though she grew to love the '40s and '60s, as well.
Green Day front man Billie Joe Armstrong and singer and songwriter Norah Jones team up for "Foreverly", an unforgettable collection inspired by "Songs Our Daddy Taught Us", an album of traditional Americana songs reinterpreted, recorded and released by The Everly Brothers in 1958.
The album captures the beauty of the Everly's stunning close harmonies to create a moving and powerful testament to these traditional ballads.
KSUT will feature "Foreverly" Friday, December 6 at 12 noon.
When NPR Music started inviting musicians to perform at Bob Boilen's desk back in 2008, we never could have expected that we'd one day host The Dismemberment Plan. For one, the D.C.-area group had long since disbanded; for another, its fleshed-out and periodically funky sound wouldn't seem to lend itself to vastly stripped-down arrangements.
Originally published on Thu November 28, 2013 4:29 pm
To many baffled outsiders over 40, Bikini Kill frontwoman Kathleen Hanna was a weirdo riot grrrl bopping up and down onstage in her bra and panties, bellowing atonal revenge lyrics at anyone who'd keep her and her fellow women down.
To her ardent young following of 1990s Third Wave feminists, though, Hanna was an alt Messiah, hacking out a space for women in the punk-rock mosh pit and sounding an enraged alarm on behalf of victims of sexual assault.