Originally published on Wed June 18, 2014 12:23 pm
"The Germans can't pronounce it," Jukebox the Ghost says of its name, which its members admit is "impossible to say." The trio came together while attending George Washington University in Washington, D.C., when the drummer and keyboardist responded to a flyer the guitarist had posted in the school's music department. The trio initially performed under the name The Sunday Mail, but after a few years decided that a new identity was in order.
Originally published on Fri June 29, 2012 11:30 am
Wye Oak's Jenn Wasner and Andy Stack combine to form a huge-sounding, full-blooded rock band, with the former blustering epically on guitar and the latter multitasking on drums and keyboards. Moody and portentous, the Baltimore duo's songs billow menacingly when they're not booming majestically, aided and shrouded by Wasner's enigmatic mumble.
On June 19, a week and a half ago, Fiona Apple released a brand new album, her first in seven years. The entire album had been available for streaming by NPR Music for a week and a half by then. Three days later, my copy arrived in the mail. It hasn't left my desk since.
The way he was tearing it up during an impromptu set at the Sasquatch Music Festival, you'd barely notice that Jordan Cook, a.k.a. Reignwolf, broke a string midway through his fiery rendition of "In the Dark" — that is, until you saw the mangled remnants of his guitar, smoldering on the ground after he'd wrenched every wailing chord from its guts.
Originally published on Thu August 16, 2012 10:09 am
Though John Lydon remains best known as Johnny Rotten, former lead singer of The Sex Pistols, his music career didn't end with the pioneering punk act's split in 1978. Lydon formed Public Image Ltd shortly thereafter and dropped his adopted stage name. Widely considered the first post-punk band, PiL experiments with a wide palette of sounds, including dub, rock and disco.
Call JD McPherson's style a throwback if you like, but don't mistake it for novelty. The former punk rocker and middle-school art teacher crafts a raw and energetic blend of jump blues, rockabilly and early rock 'n' roll on his debut album Signs & Signifiers, recording to 1/4 tape on analog equipment. Still, McPherson is as likely to cite The Smiths or Wu-Tang Clan as influences as he is Little Richard or Ruth Brown.
Vows' debut album Winter's Grave arrived to NPR folded carefully in a worn piece of paper xeroxed with hand-drawn artwork. True to it's packaging, Winter's Grave is delicately hand-crafted rather then sloppily home-spun.
Vows is a dreamy, atmospheric band with pop sensibilities from a small town in New Jersey. The album's title track has a satisfying blend of enchanting and eerie sounds. It opens with a vibrant riff that rattles over synth keys but slips into dissonant, creepy organ sounds.
We're a few weeks and a few polls into our summer search for the albums everyone can love, and so far the results have challenged some of our long-held assumptions. Most of you have never heard Glen Hansard and Marketa Irglova's soundtrack to the film Once(we thought it was wildly popular).