Dan Auerbach, one of two founders of The Black Keys, also maintains an active side business as a producer for other bands that share his love for blues- and country-influenced rock. Auerbach's production work can be heard on two new records: Hacienda's third album, Shakedown, and the major-label debut of JEFF The Brotherhood, titled Hypnotic Nights.
The English piano-rock band Keane formed back in 1997, but it wasn't until 2004 that the group's album Hopes and Fears took off on the strength of the smash single "Somewhere Only We Know." A Best New Artist Grammy nomination followed, and in the years since, the group has released three more albums: 2006's Under the Iron Sea, 2008's Perfect Symmetry and this year's Strangeland.
New Jersey has a proud heritage in rock music, from punk legends like Misfits to the Boss himself. The sonic imprint of the Garden State is unmistakable in the music of The Gaslight Anthem, which carries on in Jersey's proud rock 'n' roll tradition.
Like many artists performing under the broad umbrella of "folk music" at this year's Newport Folk Festival, Gary Clark Jr. isn't settling inside any genre, let alone folk. Working off a template of bluesy rock, he infuses the gritty songs on his Bright Lights EP with elements of soul, pop and even reggae. Above all, he's a positively ferocious young guitarist, with a reputation as an up-and-comer poised for one of those 30-, 40-, even 50-year careers.
With Michael Kiwanuka, it’s all about the voice. A voice that he describes as “hitting straight through to the core” with direct, emotional songs about love, yearning, comfort and belonging. It’s a voice that built him a following via MySpace and small London gigs, and led Paul Butler from The Bees to invite him to the band’s Isle of Wight studio to lay down these introductory tracks from what promises to be a major new British singer/songwriter.
Originally published on Wed August 29, 2012 6:20 am
Singer-songwriter Justin Currie appears on this archival episode of Mountain Stage, recorded live in West Virginia in December 2007. Currie was a teenager when he founded the Scottish rock band Del Amitri in Glasgow in 1983. Soon eclipsing its DIY beginnings, Del Amitri went on to score several international hits in the '90s — including "Kiss This Thing Goodbye," "Roll to Me" and "The Last to Know" — and its videos became a mainstay on MTV and VH1.
Blasphemy didn't always belong to dudes in corpse paint and spiked armbands. At one point in history, rock and blues were the devil's music, existing mainly for hip-shaking and corrupting the youth. Blues has a sinister past — the most obvious example being Robert Johnson's "Cross Road Blues" — but there's also Brownie McGhee's "Dealing With the Devil," Charley Patton's "Devil Sent the Rain Blues" and a long list of others.
Originally published on Tue September 18, 2012 5:24 pm
Yesterday my husband and I had the same thought at the same time. It's not an uncommon occurrence for two writers who've spent decades arguing and enthusing about pop music. I mention it, in part, to stave off accusations that I'm plagiarizing from a nearby source, but also because I think what we reflected upon in light of the writer Jonah Lehrer's fatal mistake was probably in the minds of many music obsessives.
Sometimes there's just no room for subtlety. Sometimes you hate everyone and everything because that's the only way the world makes sense. Sometimes you wonder what the musical equivalent of a panther rattling a barbed-wire cage is. Well, maybe only Gaza has thought of that last one.