Next year will mark the 20th anniversary of Siamese Dream, the second album by The Smashing Pumpkins and the one, along with 1995's Melon Collie and the Infinite Sadness, that broke the band into the mainstream and spawned its most lasting hits.
Sonny Landreth’s 11th album, bearing the fittingly evocative title Elemental Journey, is something very different from the Louisiana slide wizard. Released on his own Landfall label, the new CD is Landreth’s first all-instrumental effort and his most adventurous work to date. Sonny will be in the region, performing at the Taos Solar Music Festival over the weekend.
Fun. is in the middle of quite a run. For six weeks this spring, the band had the No. 1 song in the country with "We Are Young," an anthemic pledge of drunken solidarity that has appeared in countless commercials and TV shows, and dominated radio playlists and sales charts since March (it's still in the top five).
"Why music?" It comes off like a Philosophy 101 essay question at first, but the more I twist my head around it, the more it causes a volcanic hurl of thought: Why do I love music? Why do I write about it? Why do I care what other people write about it? Do I love a song for the story or for itself? Does that matter? What if I go deaf? Am I going to miss my deadline?
Originally published on Fri June 22, 2012 12:47 pm
For Family Band's Kim Krans, music and visual imagery are inexorably intertwined as means of expressing a dark, delicate vision. Recording with her guitarist husband Jonny Ollsin as Family Band, she's crafted a beautifully unsettling ballad in "Night Song," but it's almost difficult to imagine hearing it without the visuals she created for its video:
In a matter of minutes, Metric singer Emily Haines and guitarist James Shaw went from rocking in front of thousands of fans on the main stage of the Sasquatch Music Festival to hiking through a rumored thicket of rattlesnakes overlooking the Columbia River. The duo gamely made the trek for an acoustic performance of "Synthetica," the title track from Metric's new record.
The results are in and it turns out most of you who voted in our mid-year poll really love Jack White's explosive and eclectic Blunderbuss. But the race was close: White's album beat-out the Alabama Shakes record Boys & Girls by less than 25 votes. Beach House's Bloom, one of the most popular records ever in our First Listen series, came in at third. The Shins' Port Of Morrow and Of Monsters And Men's My Head Is An Animal round out the top five.
Back in March, former All Songs intern Dan Raby used this space to sing the praises of Montreal singer-songwriter JBM, a.k.a. Jesse B. Marchant, whose deliberately paced folk-pop hangs on the lingering empty spaces between notes.
There's more than one way to qualify as a "guitar band": You can shred, sure, or you can lay down layer upon layer of guitars to weave an intricate tapestry. For Diiv — yes, the group was once called "Dive," and yes, it's from Brooklyn — guitars dominate, but as warm, chiming mood-setters.
On this edition of All Songs Considered, poet and singer Patti Smith joins host Bob Boilen to talk about her musical passions, including doing fancy dance steps with her siblings in South Jersey. She talks about meeting Jimi Hendrix as a young journalist and later recording in his dream studio Electric Lady Studios, where she and her band made their latest album, Banga.