Originally published on Wed January 30, 2013 8:25 am
Australian singer-songwriter Paul Kelly makes his fifth appearance on Mountain Stage, recorded live in Charleston, W.V. Kelly has been recording for more than 25 years, earning awards back home for his film and TV compositions and a cult-like following in the U.S. and abroad. Though Rolling Stone has called him "Australia's rock icon," Kelly has diversified through the years, recording albums that borrow from country, rock, folk and bluegrass.
Many fans of American rock love Neal Casal's guitar work, whether they know his solo music or not. Primarily a solo artist and guitarist for Ryan Adams' backing band The Cardinals, Casal built his career on country-rock sensibilities and tireless output. His first solo album came out in 1995, and since then, he's kept up his solo work while playing with The Cardinals, Chris Robinson of Black Crowes and countless others.
Originally published on Tue January 29, 2013 8:28 am
Rich Robinson makes his first appearance on Mountain Stage, recorded live in Charleston, W.V. By his mid-20s, Robinson had already achieved remarkable commercial success as the lead guitarist for Black Crowes. Alongside his brother Chris, the band all but single-handedly reintroduced soulful, bluesy Southern rock to a mainstream that had been occupied with hair-metal and glitzy pop. Robinson's guitar helped lay the groundwork for a sound that launched a long, successful, and tumultuous career.
Spiritualized, a neo-psychedelic outfit with Jason Pierce (a.k.a. J. Spaceman) at its center, formed out of the ashes of Pierce's previous group, Spaceman 3. The newer band's seven albums of panoramic space-rock are deeply influenced by soul, gospel and all things Velvet Underground.
Warning: This post, about a song by Balthrop, Alabama (a 10-piece Brooklyn band, not a extremely musical township), includes numerous instances of coordinated jazz hands and chorus line kicks. The band's new song "You've Gotta Be Gay," is filled with theatrical sounds from all different places and times: stomps, grunts and rattles from a 1930s chain gang, a tinny player-piano from an old-timey saloon and an accordion out of every stereotypical Parisian boulevard scene.
Husband and wife, singing and playing together. Each deft instrumentalists, they’ve spent years playing in others’ bands before coming together as a unit. They’re bound by music and an uncommon depth of companionship, they’re good enough to make Steve Earle swoon, and all of that sounds quite nice.
The Polyphonic Spree is exactly what its name suggests: a chorus of voices with little restraint. The group is led by Tim DeLaughter and, though the line-up changes constantly, it typically involves some 20-odd individuals who provide talents from singing to piccolo. The Polyphonic Spree came about after DeLaughter's previous band, Tripping Daisy, broke up following member Wes Berggren's death in 1999.