Originally published on Wed October 17, 2012 8:54 am
Last night, two of today's most recognizable voices lifted the rafters of a glorious synagogue on New York's Lower East Side. The surprise show was announced with just about 12 hours notice, and lucky fans who answered an RSVP quickly filled the venue's few hundred spots.
Originally published on Tue September 25, 2012 3:35 pm
Following a series of tapes and 7-inch singles, Love Is Love // Return to Dust is the first full-length by Code Orange Kids, and it's an untamed, unpredictable beast of a hardcore record. With its members just out of high school, perhaps the hardcore/doom/noise/post-rock shuffle-play chaos of the young Pittsburgh band is a sign of where we're at in heavy music — fewer boundaries, more ways to crush eardrums. But it's one thing to acknowledge your influences and another to destroy them altogether.
Originally published on Wed October 17, 2012 10:01 am
Germany's Oktoberfest — that annual celebration of all things lager — kicked off on Sept. 22 in Munich, the festival's birthplace. In honor of the 200-year tradition, NPR Music and opbmusic.org in Portland (America's microbrew capital) team up to present a limited-time music channel devoted entirely to songs about beer.
Originally published on Mon September 24, 2012 3:29 pm
All Tomorrow's Parties is an extra special music festival. Oddly, it's not just about the music. It's about film, comedy, lecture/conversation and new friendships all bound together by everyone's love for eclectic and passionate music. This year, following a move from Asbury Park (which followed a move from its original Catskill mountain hotel home) to a giant pier on southern tip of Manhattan, it felt more like a convention than a camp. Gone was the coziness of hotel lobbies where artists and participants co-mingled at all hours.
Last year, after the Atlanta rock band Black Lips released the album Arabia Mountain, its members planned a trip to tour the Middle East, but the wave of Arab Spring protests forced them to change plans. Yet even with simmering anti-Americanism persisting throughout the region, singer-guitarist Ian St. Pe was determined to see this through. Cairo, where I spoke with them on Friday, was the band's second stop.
If you listen to the music on Charmer, hearing Aimee Mann's vocals as just another lilting instrument, you'd probably think the album was just what the title suggests: a charmer. The melodies have an airy quality, at once floating and propulsive, and even without fixing on the words, you can hear that they're metrically precise, with carefully counted-out syllables and tight rhymes.
Grizzly Bear, which has just released its fourth studio album, Shields, spoke to Morning Edition host David Greene about democracy within the band, censorship and candor in interviews, and achieving success as an indie band. Hear the radio version at the audio link and read part of their conversation below.
Weekends on All Things Considered continues its "Why Music Matters" series with music from the heavens, as chosen by astronaut Stan Love.
"In space, every day is an important day of work," Love says. But when he was sent up to the space station to drop off and pick up crew members, the returning station crew member asked, "Dudes, where are the tunes?"