When an old musical "friend" puts out a record, I secretly pray for greatness, as if rooting for a favorite team. These later records often pale in comparison to their early predecessors, but still I listen and try to find something I love.
I just deleted over 25,000 songs from my iTunes library. I am going to trust in the cloud, where my library now lives. I'm a bit scared, but I backed everything up, took a deep breath and stepped into the future.
Abandoning the way I've come to listen to music over the last decade feels like a big experiment, but in some ways, the decision was a long time coming. I've been close to maxing out the hard drive space on my laptop for a while, and in a single day this week, I reclaimed nearly 200 gigabytes.
Originally published on Mon August 13, 2012 9:19 am
Lana Del Rey got her start at 18, when she was still known as Lizzy Grant and moved from Lake Placid to New York City to write songs and perform in clubs. In 2008, under her given name, she produced and released the EP Kill Kill independently. In 2010, her first album — the doubly eponymous Lana Del Ray [sic] a.k.a. Lizzy Grant — came out and was quickly pulled from circulation, though it'll be reissued this summer.
Last weekend I was among the legion of ecstatic metalheads that had descended upon Baltimore to attend Maryland Deathfest. In its 10th year, the Sonar compound was bursting at the seams with fans from across the spectrum and around the globe, stoking a community that stays connected long after the outdoor stages on East Saratoga Street are taken down.
The Magnetic Fields' music provides one of several outlets for frontman Stephin Merritt's inspired songwriting. The band began recording a string of eclectic albums in 1993, and finally found mainstream recognition with 1999's three-disc 69 Love Songs.
Neil Young and Crazy Horse have a new record coming out Tuesday. Americana is blistering guitar romp through the classic American songbook, from the 1800s to doo-wop and beyond. Well today we we have a 40 minute film created by Bernard Shakey (Young's alias) filled with the music from Americana.
Patrick Watson has a lovely, flexible voice and a gift for wringing evocative sounds out of everything from vintage keyboards to bicycle chains, but his real gift lies in his ability to maximize beauty at all times; to guide every noise in such a way that it coheres into something dramatic and graceful. When the Polaris Prize winner performs, he seems almost hypnotized by the sounds around him, yet every second and every unlikely component seems plotted to maximize its impact.
In recent years, J. Tillman has moved from Seattle to Los Angeles, quit his gig as the drummer of Fleet Foxes and abandoned his real name, all to become Father John Misty. On his way into KCRW's studio for a live set, Tillman grabbed a photo of David Lynch off the walls in the hallway — a fitting gesture to his surreal musical alter ego. Here, he shimmies his way through a dedication of sorts to an L.A.