Music

Music

From Here To Eternity: A Giorgio Moroder Primer

Jun 16, 2015

Review: 'Amanecer,' Bomba Estereo

Jun 15, 2015
Copyright 2015 NPR. To see more, visit http://www.npr.org/.

You may have heard that Jurassic World made more than $500 million worldwide in its opening weekend. That's $500 million, 5-0-0. Its nearly $209 million weekend in the U.S. alone makes it the highest-grossing U.S. opening weekend ever. That's ever, e-ver.

So how's the movie? It's fine. Does it justify having had the biggest domestic box-office opening weekend of all time? That's a pretty tall order for a pretty medium-sized movie, creatively speaking.

Copyright 2015 NPR. To see more, visit http://www.npr.org/.

Transcript

TERRY GROSS, HOST:

This is FRESH AIR. Rock critic Ken Tucker has a review of the new fourth album from the band Dawes called "All Your Favorite Bands." The California quartet is led by lead vocalist and main songwriter Taylor Goldsmith.

KEXP Presents: Torres

Jun 15, 2015

On Sprinter, the latest album by Torres, Mackenzie Scott doesn't shy away from big issues. The 24-year-old singer-songwriter, raised in the South but based in Brooklyn, uses her music to explore heavy themes of identity, mortality, religion and alienation.

The Prettiots' songs are winsome and clever, but most of all they're honest and funny. Goodness knows pop music needs some clever fun.

The three women in The Prettiots — Kay Kasparhauser on ukulele and lead vocals, Rachel Trachtenburg from the Trachtenburg Family Slideshow Players on drums, and bassist Lulu Prat — share their love of everything from Law & Order to old-school girl groups like the Shangri-Las. Their song "Stabler," performed here, is based on Kasparhauser's infatuation with the Law & Order character Elliot Stabler.

**NOTE: This song contains profanity**

KSUT will feature the new CD from Yonder Mountain String Band, 'Black Sheep', on Friday, June 19 at 12 noon.  Yonder kicks off this weekend's Telluride Bluegrass Festival with a sold out NightGrass show on Wednesday, plus more performances throughout the long weekend. 

It's easy to look back on early-'70s jazz-rock hybrids with a snicker. For those of us who were there, that snicker might accompany a note of regret; some of us thought that stuff was amazing. But listening to a new collection of Yes' previously unreleased early-'70s live recordings — titled Progeny: Highlights From Seventy-Two — I'm not so embarrassed to have embraced these poster boys of prog-rock.

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