Last year, after the Atlanta rock band Black Lips released the album Arabia Mountain, its members planned a trip to tour the Middle East, but the wave of Arab Spring protests forced them to change plans. Yet even with simmering anti-Americanism persisting throughout the region, singer-guitarist Ian St. Pe was determined to see this through. Cairo, where I spoke with them on Friday, was the band's second stop.
If you listen to the music on Charmer, hearing Aimee Mann's vocals as just another lilting instrument, you'd probably think the album was just what the title suggests: a charmer. The melodies have an airy quality, at once floating and propulsive, and even without fixing on the words, you can hear that they're metrically precise, with carefully counted-out syllables and tight rhymes.
Grizzly Bear, which has just released its fourth studio album, Shields, spoke to Morning Edition host David Greene about democracy within the band, censorship and candor in interviews, and achieving success as an indie band. Hear the radio version at the audio link and read part of their conversation below.
Weekends on All Things Considered continues its "Why Music Matters" series with music from the heavens, as chosen by astronaut Stan Love.
"In space, every day is an important day of work," Love says. But when he was sent up to the space station to drop off and pick up crew members, the returning station crew member asked, "Dudes, where are the tunes?"
Rickie Lee Jones' new album<em>, </em><em>The Devil You Know</em>, is a collection of covers. "I think [I recorded the album] partially to remind people that a singer is the one who interprets the song," she says. "And once you do that, it's yours."
Originally published on Fri September 21, 2012 10:53 am
The mists of eternity wafted over my Twitter feed the other night. Okay, not quite — but talk of eternity, or at least of the pop scene in thirty years, did make for a lengthy and spirited group exchange. It started when a friend who's not fond of singing competitions asked whether Kelly Clarkson will be remembered in 2042.
For 27 years, the members of Neurosis have demonstrated what metal can be and what it can aspire to: transcendent, cathartic, graceful, innovative. Like the best films, Neurosis' albums are thoughtful and sometimes sublime escapes, navigating pain and salvation through Steve Von Till and Scott Kelly's words, as well as a dense atmosphere of distortion and noise. In the past decade, more deliberately paced and folkloric passages have made their way into Neurosis' sound, too.
Originally published on Wed October 17, 2012 8:55 am
This will be the last in our summer-long series of polls in search of the albums everyone can love. We've featured a few hundred records since we started back in May, and have found a lot of surprises.