World Cafe on Four Corners Public Radio

In the spring of 2012, Scottish singer-songwriter KT Tunstall traveled to Tucson, Ariz., to work on her sixth album, Invisible Empire/Crescent Moon. But before she could return to finish the record, a lot happened in her personal life: The death of her father, as well as the dissolution of her marriage to drummer Luke Bullen, left Tunstall in a standstill. She eventually returned to Arizona to finish the album, only to realize that the songs she'd already written predicted the turmoil that would follow.

The Cuban music form known as timba developed in the 1980s, but exploded in popularity throughout the '90s. While training in jazz and classical conservatories, many Cuban musicians were looking for a new musical form that would challenge their skills. By combining rumba with funk and other dance music, timba became a new Cuban genre of synthesized styles.

Originally from Minneapolis, José James began chasing his dreams of jazz singing at 17. He found his way to London and New York, and eventually ended up at The New School to study jazz vocals. James was always interested in a musical place where jazz, R&B, hip-hop and more can all come together.

Stephen King, John Mellencamp and T-Bone Burnett's collaboration on the musical Ghost Brothers of Darkland County began 13 years ago. Inspiration for the story came when Mellencamp bought a vacation cabin; he says he found out just after closing that the home was the site of the tragic death of two brothers and the girl they both loved.

Low Cut Connie is a Philadelphia band led by piano player Adam Weiner, who's a born ham: an entertainer who will pound his piano (and his listeners) into submission. Low Cut Connie began when Weiner and his partner, Englishman Dan Finnemore, decided to team up.

In this installment of World Cafe, the band plays music from last year's Call Me Sylvia and tells the tale of bonding in a stuck freight elevator.

Last Good Tooth shares a hometown — Providence, R.I. — with The Low Anthem, and the two bands have both shown a penchant for experimenting with fiddles and Appalachian music.

Led by songwriter Penn Sultan, the son of sculptor Donald Sultan, Last Good Tooth crafts free-wheeling songs, marked by delightful extended breaks and smart lyrics. The group recently relocated to New York City, and its new album (Not Without Work and Rest) is out now on Conor Oberst's Team Love Records.

It's a middle-age milestone, dealing with a parent's death. Singer-songwriter Patty Griffin turns the experience into powerful moments on her new album, American Kid. The album features songs inspired by everything from her dad exclaiming "Don't let me die in Florida!" to the gleam in her grandfather's eye on his own wedding day.

Recording under the name Villagers, Dublin singer-songwriter Conor O'Brien released his debut album, Becoming a Jackal, in 2010. A critically acclaimed Mercury Prize nominee, that record was stripped-down singer-songwriter fare.

But O'Brien changed a bit during the two-plus years leading up to the release of {Awayland}. The songwriter had listened to lots of techno in the interim and approached the new album with Cinemascope ambitions.

Nonchalant raw riffage and perfect off-the-cuff lyrics are what attracted me to Light Up Gold, the second full-length album from the Brooklyn indie-rock band Parquet Courts.

On this edition of World Cafe, we were lucky enough to hear three new songs that were written after the release of Light Up Gold. We can't say what will become of them, but "Dear Ramona," in particular, is extraordinary.

Madeleine Peyroux started singing blues and jazz on the streets of Paris. Over the course of her career, Peyroux has released six albums, sold more than a million copies of her second record (Careless Love) and developed a following for her easygoing, Billie Holiday-tinged sound.