As a competitive swimmer, David McGlynn won the 500-yard freestyle at the 2001 United States Masters National Championships. He is also the author of the story collection <em>The End of the Straight and Narrow.</em>
Many of the key scenes in David McGlynn's striking new memoir, A Door in the Ocean, take place at the beach or in swimming pools. McGlynn was a surfer and competitive swimmer in his school days and still squeezes into his Speedos for races like the annual 5K "Gatorman" off the coast of La Jolla, Calif. Ocean swimming, in particular, transports McGlynn to another realm, and he does a terrific job of dramatizing the allure of solitary swims in open water. Midway through his book, he writes:
Facing Bach's St. Matthew Passion, I often feel a combination of anticipation and dread. It's a great work, profound in its humanity and spirituality, with sublimely beautiful music. But it's a long haul, and if it's not a good performance, well, I'm stuck. And it can be not-good in various ways: either too solemnly pious or too much an exercise in musical style rather than emotional drama. A new DVD recorded in 2010 at Berlin's great concert hall, the Philharmonie, would be of major interest under any circumstances.
Brian Castner arguably had one of the most nerve-wracking jobs in the U.S. military. He commanded two Explosive Ordnance Disposal units in Iraq, where his team disabled roadside IEDs, investigated the aftermath of roadside car bombings and searched door to door to uncover bomb-makers at their homes.
Fresh Air Weekend highlights some of the best interviews and reviews from past weeks, and new program elements specially paced for weekends. Our weekend show emphasizes interviews with writers, filmmakers, actors, and musicians, and often includes excerpts from live in-studio concerts. This week:
Summer Cooking Tips From 'America's Test Kitchen': Jack Bishop and Bridget Lancaster highlight some of their favorite grilling techniques and summer recipes — everything from meats to vegetables to, yes, even desserts.
Big K.R.I.T.'s distinction as a rapper is the way he spreads his vowels out over his beats like gravy. There's little that's harsh in his phrasing, even as his lyrics can be tart or tough. In general, though, his tone over the course of Live From the Underground is a voice of coolness, of relaxation or resignation, even occasionally serenity.
Often I'm asked, "What's the worst movie ever made?" and I say, "I don't know, but my own least favorite is Oliver Stone's Natural Born Killers." The early script by Quentin Tarantino was heavily revised, and the final film became a celebration of serial killers, now existential heroes with absolute freedom. Beyond the bombardment that was Stone's direction, the worldview was abominable.
In a good jazz rhythm section, the players function independently and as one. Their parts and accents crisscross and reinforce each other, interlocking like West African drummers. Beyond that, the bass is a band's ground floor. When it changes up, the earth shifts under all the players' feet. From moment to moment, Linda Oh's bass prowls or gallops, takes giant downward leaps, or stands its ground.
Of the more than 1 million people in the U.S. infected with HIV, nearly half are black men, women and children — even though blacks make up about 13 percent of the population. AIDS is the primary killer of African-Americans ages 19 to 44, and the mortality rate is 10 times higher for black Americans than for whites.