Ava DuVernay also directed the documentary <em>My Mic Sounds Nice: The Truth About Women in Hip Hop</em>.
Credit Liz O. Baylen / Contour by Getty Images
When her husband, Derek (Omari Hardwick), is sent to prison, Ruby (Emayatzy Corinealdi) must decide whether to wait for him or move on. In her research for the film, director Ava DuVernay interviewed many women whose loved ones were incarcerated.
In January, Ava DuVernay became the first African-American woman to win Sundance's best directing award for her second feature-length film, Middle of Nowhere. The film is about a young black woman named Ruby, who puts her life and dreams of going to medical school on hold while her husband is in prison.
Fresh Air Weekend highlights some of the best interviews and reviews from past weeks, and new program elements specially paced for weekends. Our weekend show emphasizes interviews with writers, filmmakers, actors, and musicians, and often includes excerpts from live in-studio concerts. This week:
On his major-label debut Blak and Blu, you can hear the roar in Gary Clark Jr.'s blues guitar, and in his vocal throughout "Bright Lights." It's one of the few straight-up blues songs on what is essentially an introduction to one of the most highly praised young blues guitarists in recent times. While Clark comes out of a blues tradition, he's also a twentysomething who's taken in all of contemporary music.
<a href="http://www.baratunde.com/">Baratunde Thurston</a> is an American comedian and the digital director of <em>The Onion</em>. He co-founded the black political blog <a href="http://www.jackandjillpolitics.com/">Jack & Jill Politics</a>. He is also a prolific <a href="https://twitter.com/#!/baratunde">tweeter</a>.
In 1983, Berkeley poet and journalist Mark O'Brien wrote an article about sexual surrogates — women and men trained to help people with disabilities learn to use their bodies to give themselves and others erotic pleasure.
For O'Brien, the subject wasn't academic. After a bout of childhood polio, he had spent much of his life in an iron lung. He could talk, and tap out words on a typewriter holding a stick in his mouth. He could feel things below the neck. But he couldn't move his muscles.
His public words have inspired millions, but for scholars, his private words and deeds generate confusion, discomfort, apologetic excuses. When the young Thomas Jefferson wrote, "We hold these truths to be self-evident, that all men are created equal," there's compelling evidence to indicate that he indeed meant all men, not just white guys.
As soon as Sherry Turkle arrived at the studio for her Fresh Air interview, she realized she'd forgotten her phone. "I realized I'd left it behind, and I felt a moment of Oh my god ... and I felt it kind of in the pit of my stomach," she tells Terry Gross. That feeling of emotional dependence on digital devices is the focus of Turkle's research. Her book, Alone Together, explores how new technology is changing the way we communicate with one another.
Long before singer and pianist Michael Feinstein became famous in his own right, he had the privilege of working closely with legendary songwriter Ira Gershwin, as his archivist and cataloger. In his new book, The Gershwins and Me: A Personal History in Twelve Songs, Feinstein writes firsthand about the musical world of the American composers and brothers, George and Ira Gershwin.
The Budapest String Quartet has always been my standard-bearer for chamber music. I grew up listening to their recordings, and especially admired not only their gorgeous sound, but also the uncanny interaction among all four players, even when there were changes in personnel. They had a way of playing as if they were speaking to each other, expressing deep and sometimes complicated feelings.