If you look up the name Lyle Talbot on IMDb, you'll find dozens of films and television shows he appeared in, starting with the 1931 short The Nightingale and ending with roles on Newhart and Who's the Boss. He made a movie with Bogart before Bogart was a star. He worked with child star Shirley Temple, was featured in the Ed Wood cult classics Plan 9 from Outer Space and Glen or Glenda?, and had a recurring role on The Adventures of Ozzie and Harriet as Ozzie's friend and neighbor Joe Randolph.
At first glance, a novel in which the main character eats herself to death may not seem like the most felicitous pick for Thanksgiving week; but The Middlesteins turns out to be a tough but affecting story about family members putting up with each other, even in their most unlovely, chewing-with-their-mouths-open life moments. If you have a Thanksgiving family reunion looming before you that doesn't exactly promise to be a Norman Rockwell painting, The Middlesteins may just be the perfect literary corrective to overindulgence in high-calorie holiday expectations.
As the creative director at American<em> Vogue</em>, Coddington is the driving force behind the magazine's fantastical editorial shoots.
Credit Arthur Elgort / Random House
Grace Coddington, shown above in 1974, is now the creative director at <em>Vogue</em>, but she started her career as a model. "In those days, models had to know how to do everything themselves," she says.
Credit Willie Christie / Courtesy of Random House
Coddington helps Prince Charles prepare for his official investiture photograph at Windsor Castle in 1969.
Credit (c) Norman Parkinson Limited / Courtesy of Norman Parkinson Archive
Grace Coddington grew up on what she calls "an island off an island," far from the fashion industry. Her new memoir, Grace, chronicles her journey from a sleepy town on the coast of Wales to her current job as the creative director of Vogue magazine.
You might think that actor Irrfan Khan — the co-star of the special effects-filled film Life of Pi -- performed his scenes by himself, or with inanimate objects that would later be transformed via CGI. Not so: As the older Pi in Ang Lee's new adaptation of the best-selling novel, Khan went back to the basics.
He tells Fresh Air's Terry Gross that he thinks of scenes as being like duets: "You strike a note, and somebody responds, and then you respond accordingly," Khan says.
Edward Blum studies the history of race and religion in the U.S., and is a professor at San Diego State University. His previous books include <em>W.E B. Du Bois: American Prophet </em>and <em>Reforging the White Republic.</em>
What did Jesus look like? The many different depictions of Christ tell a story about race and religion in America. Edward J. Blum and Paul Harvey explore that history in their new book, The Color of Christ: The Son of God and the Saga of Race in America. The book traces how different races and ethnic groups claimed Christ as their own — and how depictions of Jesus have both inspired civil rights crusades, and been used to justify the violence of white supremacists.
Fresh Air Weekend highlights some of the best interviews and reviews from past weeks, and new program elements specially paced for weekends. Our weekend show emphasizes interviews with writers, filmmakers, actors, and musicians, and often includes excerpts from live in-studio concerts. This week:
The best thing about David O. Russell is that he cultivates his disequilibrium. In Silver Linings Playbook, his hero is disturbed and his heroine possibly more so, and his other characters have a grip on reality that is only marginally more secure. Russell might have made them seem the dreaded "q" word — quirky — and OK, he does, a bit, at the end, which broadly conforms to the rom-com template. But until then, Bradley Cooper's Pat Solatano is someone you'd be less likely to dream about than get a restraining order against.