Originally published on Thu February 14, 2013 2:42 pm
The Dead Sea Scrolls are the ancient manuscripts dating back to the time of Jesus that were found between 1947 and 1956 in caves by the Dead Sea. Since they were first discovered, they have been a source of fascination and debate over what they can teach — and have taught — about Judeo-Christian history. In his new book, The Dead Sea Scrolls: A Biography, Yale professor John J. Collins tells the story of the scrolls, their discovery and the controversies surrounding the scholarship of them.
Saxophonist Rudresh Mahanthappa's quartet can sound like it's cross-pollinating Indian classical music and vintage Captain Beefheart. That befits a bicultural saxophonist who grew up in Boulder, where his Hindu family had a Christmas tree. For a long time, Mahanthappa resisted combining jazz and Indian music — it was almost too obvious a trajectory. But then he got serious about it.
New York Times reporter Scott Shane and colleague Jo Becker reported last year that the Obama administration has a list of terrorists targeted for drone attacks, and that the president personally approves such strikes.
The administration has been trying to keep details of its drone program under wraps, arguing that to make it public could threaten national security. Shane has reported numerous such stories.
James Lasdun was born in London and now lives in upstate New York. He has published two novels, as well as several collections of short stories and poetry, and was the winner of the inaugural U.K./BBC Short Story Prize.
Over the past week or so, I've mentioned James Lasdun's new book, Give Me Everything You Have to a bunch of colleagues; they've all heard about it already and they're all dying to read it. What Amy Chua's Battle Hymn of the Tiger Mother was to parenting a couple of years ago, Lasdun's Give Me Everything You Have may well be to teaching: a controversial personal reflection on the professor-student relationship — except Lasdun, unlike Chua, really has no advice to offer; no certitude, nor help for pain.
For some, Detroit may be a symbol of urban decay; but to Charlie LeDuff, it's home. LeDuff, a veteran print and TV journalist who spent 12 years at TheNew York Times, where he shared a Pulitzer Prize in 2001, returned home to the city after the birth of his daughter left him and his wife — also a Detroit native — wanting to be closer to family.
Fresh Air Weekend highlights some of the best interviews and reviews from past weeks, and new program elements specially paced for weekends. Our weekend show emphasizes interviews with writers, filmmakers, actors and musicians, and often includes excerpts from live in-studio concerts. This week:
Whenever Tyler Perry is in front of the camera, he's usually behind it as well. A screenwriter, director, producer and star, Perry grew up poor in New Orleans, but he has become a movie phenomenon — he was described in the New Yorker as the most financially successful black man the American film industry has ever known.
In the early '80s, Italy's Taviani brothers, Paolo and Vittorio, made one of the true modern masterpieces, TheNight of the Shooting Stars. Set in the last days of World War II, when Germans laid mines all over Tuscan villages and Fascists loyal to Mussolini killed their own countrymen, it was a very cruel film.
Bradley Cooper, who is nominated for an Academy Award for his performance as the bipolar Pat Solitano in Silver Linings Playbook, tells Fresh Air's Terry Gross that he and director David O. Russell approached the role with the idea that Cooper would "play as real and authentic as [h]e could."
The role is informed by Russell's son, who has been diagnosed with bipolar disorder. Says Cooper: "I definitely felt that anchor for [Russell]."
Clarinetist Anat Cohen is one of a handful of Israeli jazz musicians making a mark on the American jazz scene. She's been voted Clarinetist of the Year six years in a row by the Jazz Journalists Association, and her most recent album, Claroscuro, showcases the range of her talents and musical influences, from New Orleans-style jazz to Israel to Latin music — particularly that of Brazil.
Cohen says that the clarinet's somewhat old-fashioned reputation may be the result of the very thing that attracts her to the instrument.