Fresh Air Weekend highlights some of the best interviews and reviews from past weeks, and new program elements specially paced for weekends. Our weekend show emphasizes interviews with writers, filmmakers, actors, and musicians, and often includes excerpts from live in-studio concerts. This week:
Chico's story mimics the stories of many Cuban musicians who left Havana and arrived in New York City in the 1940s — a time when musicians like Charlie Parker and Dizzy Gillespie were starting to emerge.
Credit Luma Films
Javier Mariscal (left) and Fernando Trueba directed Chico & Rita along with Tono Errando.
This interview was originally broadcast on April 12, 2012. Fernando Trueba's Chico & Rita is now out on DVD.
The animated film Chico and Rita is set in 1940s Havana, at a time when Cuban musicians were starting to leave the country and join the jazz scene in New York. It was also a time when musical styles were fusing — and changing the Afro-Cuban jazz scene entirely.
Paul Thomas Anderson's The Master is both feverish and glacial. The vibe is chilly, but the central character is an unholy mess — and his rage saturates every frame. He's a World War II South Pacific vet named Freddie Quell, played by Joaquin Phoenix to the hilt — the hilt above the hilt. We meet him at war's end on a tropical beach where he and other soldiers seek sexual relief atop the figure of a woman made out of sand.
Michael Shannon plays federal agent Nelson Van Alden on the HBO series Boardwalk Empire. "I think inside of Van Alden is a child â that arrested child â that never really got to develop its own identity," he says.
Credit Sony Pictures Classics
Jeff Nichols' haunting Take Shelter centers on an Ohio man (Michael Shannon, with Tova Stewart) plagued with nightmares about a coming apocalypse.
This interview was originally broadcast on Oct. 24, 2011. The third season of Boardwalk Empire starts Sunday.
HBO's Boardwalk Empire, set in Atlantic City in the 1920s, is about organized crime in the era of Prohibition. The show stars Steve Buscemi as Nucky Thompson, an Atlantic City politician who sees the coming of Prohibition as an opportunity to make even more money from illegal activities and kickbacks.
Last year, the broadcast networks didn't do well at all when it came to new series development. We got ABC's clever Once Upon a Time, which was about it for the fall crop, until midseason perked things up with NBC's Smash. Otherwise, a year ago, all the exciting new fall series were on cable, thanks to Showtime's brilliant Homeland and FX's audacious American Horror Story.
Every New York story ever written or filmed falls into one of two categories. The first — like Betty Smith's A Tree Grows in Brooklyn, or the musical On the Town — regards New York as the representativeAmerican city, a jam-packed distillation of the country's dreams and nightmares.The second group views New York as a foreign place — a city off the coast of the U.S. mainland that somehow drifted away from Paris or Mars. Think every Manhattan movie ever made by Woody Allen.
Author Michael Lewis made a radical request to the White House that he says he was almost certain would be denied: He wanted to write a piece about President Obama that would put the reader in the president's shoes.
To do this, the Vanity Fair contributing editor would need inside access. So what did he propose?
A detection dog-training center opens Tuesday, on the anniversary of Sept. 11, at the University of Pennsylvania so scientists can train dogs for search-and-rescue missions — and study what helps them succeed.
Bob Dylan made the rare mistake of talking about his creative process shortly before the release of Tempest. He told Rolling Stone that he'd originally wanted to write a collection of what he called "religious songs," saying, "That takes a lot more concentration to pull that off — 10 times with the same thread than it does with a record like I ended up with." Which means that either his powers of concentration failed him, or he became distracted by other themes, topics and moods.