Prolific crime novelist Elmore Leonard died Tuesday at the age of 87. Leonard was known for crisp dialogue and memorable villains. "The bad guys are the fun guys," he said in a 1983 interview. "The only people I have trouble with are the so-called normal types."
Many of Leonard's books and short stories were adapted to films. Those books include Get Shorty, The Big Bounce and Rum Punch, which became the Quentin Tarantino's Jackie Brown. His short story "Fire in the Hole" was the basis for the FX TV series Justified.
The World's End is a world-shaking, genre-bending, sci-fi comedy, and a splendid capper to what British writer-director Edgar Wright and actor-writer Simon Pegg call their "Cornetto trilogy," for an ice cream they eat on their side of the Atlantic. This one's arguably the best of the three, but who wants to argue over gorgeous satires like Shaun of the Dead, Hot Fuzz and The World's End? It's like ice cream flavors: Have them all.
When Raymond Chandler first set Philip Marlowe walking down the mean streets of L.A., he couldn't have imagined that eventually every city, from ancient Athens to 21st century Bangkok, would have its own detective series. Of course, they're not all equally good.
If you've ever participated in a miserably long pub crawl, you'll understand the plight of the characters in The World's End, the latest from Simon Pegg, Nick Frost and Edgar Wright. The film follows five old high school friends who reunite to finish a pub crawl they started 20 years earlier. But as they travel from pub to pub in their old hometown, they find strange, supernatural things start to happen.
Robin Thicke exudes a kind of oily charm that is, with the right material, by no means off-putting. A prime example is the single "Blurred Lines," which gives you the complete Robin Thicke Experience. The song is a come-on, because basically all Thicke does in his music is try to put the make on women. What prevents him from being too creepy is that he's also genial, even gentlemanly and debonair, when the object of his lust shoots him down.
The new FX series The Bridge begins with the discovery of a body on a bridge that connects El Paso, Texas, and Juarez, Mexico. In it, a Mexican detective, played by Mexican actor Demian Bichir, has to work with an El Paso homicide cop to solve what turns out to be a serial murder case.
On Philadelphia pianist Orrin Evans' trio version of Ornette Coleman's "Blues Connotation," drummer Donald Edwards and bassist Eric Revis set a New Orleans second-line groove tinged with vintage hip-hop. A beat like that is catnip to Evans, who gets right down and rolls in it.
Today's Internet users have become accustomed to stories of hacking, identity theft and cyberattacks, but there was a time when the freedom and anonymity of the Web were new, and no one was sure what rules — if any — applied to its use. Many thought the Internet was beyond government regulation, its very chaos a source of creativity and strength.
One of the most intriguing figures of 20th-century warfare is T.E. Lawrence, the British army officer who immersed himself in the culture of the Arabian Peninsula's Bedouin tribes and played a key role in the Arab revolt against the Ottoman Turks during World War I. He became a well-known and romanticized figure in post-war England, and was immortalized in the 1962 film Lawrence of Arabia.