The films of Joel and Ethan Coen pose a challenge: How do we reconcile their wildly disparate tones? Consider O Brother, Where Art Thou?, a burlesque of Homer's Odyssey centering on three stumblebums — but with a soundtrack assembled by T Bone Burnett of heartfelt historical gospel and country music. Ditto The Ladykillers: venal idiot characters, soaring African-American spirituals. The ridiculous and the sublime sit side by side, with no spillover.
Sondheim, shown here in 1974, won the Pulitzer Prize in Drama for Sunday in the Park with George. He has also received eight Tony Awards, eight Grammy awards and a Kennedy Center Honor.
Sondheim (left) wrote the lyrics for West Side Story; classical-music superstar Leonard Bernstein (center) was the composer, Jerome Robbins the director and choreographer. The story of the show's genesis is told in the special NPR series 50 Years of West Side Story.
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Zero Mostel starred as Pseudolus in the bawdy farce A Funny Thing Happened on the Way to the Forum. The musical was the first to feature Sondheim's music and lyrics.
Some years ago, I wrote a poem called "Why I Love Vermeer," which ends "I've never lived in a city without a Vermeer." I could say that until 1990, when Vermeer's exquisite painting The Concert was one of the masterpieces stolen from Boston's Isabella Stewart Gardner Museum. It's still missing.
A lot of what we think we know about interrogation tactics comes from television and movies. Above (from left), Robert Ryan, Robert Mitchum and Robert Young appear in a scene from the 1947 film Crossfire.
Credit Courtesy of Douglas Starr
Starr is the author of The Killer of Little Shepherds and Blood: An Epic History of Medicine and Commerce. He co-directs the Program in Science Journalism at Boston University
Credit Shannon Kingery / AP
Darrel Parker spent years in prison after falsely confessing to the murder of his wife in 1955. When he was finally exonerated in his 80s, he said, "At least now I can die in peace."
Steve Lacy used to say that the right partner can help you make music you couldn't get to by yourself. Take the quartet William Parker founded in 2000, for example. Parker's bass tone was always sturdy as a tree trunk, but power drummer Hamid Drake gives him lift. The upshot is that free jazz can swing, too. The quartet's front line is another firm partnership: quicksilver alto saxophonist Rob Brown and flinty trumpeter Lewis Barnes.
This summer, I hit one of life's great milestones: I became a person who posts baby pictures on the Internet. A lot of them.
Our son was born in August, and I have already taken 15,000 pictures of him, hundreds that I want to share with our family and close friends, and a few dozen that I might want to show colleagues and acquaintances. But how?
In theory, we're in a golden age of photo sharing. There are literally dozens of ways to share photos with friends now. But with the new capabilities of the Internet come new and distinctly contemporary problems.
Gold is assumed to have eternal, inherent value, but what makes it valuable? And what determines its value now that it's no longer the basis of our currency? In the book Gold: The Race for the World's Most Seductive Metal, journalist Matthew Hart examines the new gold rush driven by investors. He travels to gold mines — including the Mponeng mine in South Africa, where he descended into the deepest man-made hole on Earth — and investigates why gold and crime sometimes go hand in hand.
There are great ballplayers, and then there's Ted Williams. In a 22-year career, Williams accomplished things that give him a legitimate claim to being the greatest hitter who ever lived; but he was also a tormented soul who hurt a lot of people, including himself.
Alexander Payne directed and co-wrote the films Election, About Schmidt, Sideways and The Descendants. He's directed Jack Nicholson and George Clooney in starring roles and has won two Oscars for best adapted screenplay.