Tom Huizenga

Tom Huizenga is a music producer, reporter and blogger for NPR Music.

He is a regular contributor of stories about classical music to NPR's news programs and co-hosts NPR's classical music blog Deceptive Cadence.

Joining NPR in 1999, Huizenga spent seven years as a producer, writer and editor for NPR's Peabody Award-winning daily classical music show Performance Today and for programs SymphonyCast and World of Opera.

He's produced live concerts, including a radio broadcast of Gershwin's Porgy & Bess from Washington National Opera at the Kennedy Center and NPR's first classical music webcast from the Manhattan club (Le) Poisson Rouge, featuring the acclaimed Emerson String Quartet. He's also asked musicians to play in unlikely venues, such as cellist Alisa Weilerstein playing Bach at the Baltimore Aquarium. He's written and produced radio specials, like A Choral Christmas With Stile Antico, broadcast on stations around the country.

Huizenga's radio career began at the University of Michigan, where he hosted opera, jazz, free-form, and experimental radio programs at Ann Arbor's WCBN. As a student in the Ethnomusicology department, Huizenga studied and performed traditional court music from Indonesia. He also studied English Literature and voice, while writing for the university's newspaper.

Huizenga took his love of music and broadcasting to New Mexico, where he served as music director for NPR member station KRWG, in Las Cruces, and taught radio production at New Mexico State University.

Huizenga lives in Takoma Park, Md. and in his spare time writes about music for the Washington Post and overloads on concerts and movies.

Tigran Hamasyan won the Thelonious Monk International Jazz Piano Competition in 2006, but the music that resonates even deeper for him is centuries removed — and a sound world away — from jazz.

Welcome to the first day of fall — at least for us in the Northern Hemisphere. There's a noticeable chill in the air, the leaves are starting to shift color and perhaps you find yourself turning a little more inward in your mood and your musical tastes.

Composers and songwriters have plenty to say about the changing seasons. To mark the Autumnal Equinox, try this fall music quiz stocked with songs of wistful introspection. Score high and revel in autumn's golden glow. Score low and feel the sadness of earlier and earlier sunsets.

Mystical, monk-like, reclusive — those are a few words often used to describe Arvo Pärt. His music gets labeled as timeless, spiritual and meditative. The Estonian composer, born 80 years ago today, is perhaps all of these things ... and maybe none of them.

Sleep. It's both an oasis where our physical and mental batteries get recharged and a playground for the subconscious. It's also the subject of Max Richter's latest project, SLEEP, which inspired this video by Yulia Mahr.

New Orleans can proudly be called the birthplace of jazz, but the city has also been a cradle for classical music. Opera was heard there as early as 1796. And just a few decades later, in 1829, the city produced America's first musical superstar — Louis Moreau Gottschalk.

'Summertime' In Hanoi

Aug 11, 2015

Summer might be winding down, but you couldn't tell by the steamy temperatures, not only in much of the U.S. but also in Hanoi, where Vietnamese performer and composer Vân-Ánh Vanessa Võ grew up — and where it should top out around 92 degrees today.

When Gustav Mahler said a symphony "must be like the world. It must embrace everything," I suppose he meant embracing accordions, too.

Gustav Mahler's sprawling Ninth Symphony is a 90-minute journey brimming with the joys of life, haunted by death and with a lot happening along the way. Accordionist William Schimmel has squeezed this immense musical canvas down to just 6 1/2 minutes. That takes some guts.

Calling all design geeks and fans of cool album art! Check out this thing we made.

It tells the story of graphic designer Denise Burt and her album covers. Read about her process, see the art — and hear the music that inspired her.

Shortly after Burt moved to Copenhagen in 2000, she landed a job creating album covers for Denmark's Dacapo Records. Trouble was, she didn't know a thing about the contemporary classical music the label specialized in.

Ivan Moravec, a Czech pianist known for his lyrical and selfless approach to music, died Monday in a Prague hospital, according to a management representative, Linda Marder of CM Artists in New York. Moravec had been treated for pneumonia. He was 84.

Ethel Smyth was not your typical Victorian lady. She defied her father, a stern army general, to pursue a career in music. She loved women, played sports and played an important role in the women's suffrage movement in Britain in the early 20th century. Along the way she composed chamber and orchestral music, an acclaimed Mass and six operas.

Iceland might be small and isolated but the country's music scene is substantial, resonating far beyond the island nation. One Icelandic group that thrives on both new and old classical music is Nordic Affect. Formed in 2005, the quartet of women is equally at home playing 17th century dance music and newly commissioned works like Clockworking, the title track from its forthcoming album.

"Quirky" is a descriptor that seems to have stuck to Danish composer Carl Nielsen, born 150 years ago on June 9, 1865.

May is international drum month! To celebrate, we bring you a discussion in percussion with a group of guys who will bang on almost anything (including a cactus). The members of Sō Percussion are the guest quizmasters for this week's Drum Fill Friday.

We rarely invite Tiny Desk alumni back to the confines of Bob Boilen's work space, but we couldn't resist this time. Harpist Yolanda Kondonassis and Grammy-winning guitarist Jason Vieaux have both given solo Tiny Desk performances. Since then they've paired up for concerts and a new album of works composed especially for their combination of instruments.

In his new memoir, Words Without Music, Philip Glass tells the story of how he slugged a man in the jaw in Amsterdam. At a concert, a quarrelsome audience member climbed onto the stage and began banging on the composer's keyboard. That was in 1969, when Glass' repetitious, slowly evolving music fell on many ears like a needle stuck in the groove of a record.

Great fado singers sound as if they carry the weight of the world's sadness. They don't just wear their hearts on their sleeves — they bare their souls.

Twenty years ago, pianist András Schiff did not hide his disdain for the fortepiano — the smaller, quieter precursor to the modern grand piano. In the liner notes of five separate Schubert albums Schiff released in the early 1990s, he wrote: "Schubert's piano music has luckily not been discovered yet by specialists playing copies of Graf fortepianos."

Trumpeter Rolf Smedvig, praised for his beautiful tone and virtuosic style, died Monday afternoon at his home in West Stockbridge, Mass. The cause of death, according to his long-time manager Mark Z. Alpert, was a heart attack. Smedvig was 62.

Life changed a lot after that day in 1877 when Thomas Edison spoke "Mary had a little lamb" into a contraption he called a phonograph and discovered he could reproduce sound. Back then, tinfoil cylinders captured just a few flickering moments. Today Wagner's entire Ring cycle fits on a 16GB flash drive.

Julia Wolfe, a composer associated with the New York music collective Bang on a Can, has won the Pulitzer Prize for music for Anthracite Fields.

Percussionists back in Beethoven's day could be forgiven for feeling a little bored, waiting for the infrequent roll of the kettledrum or the occasional cymbal crash. But as orchestras grew bigger, percussionists got busier — even more so after World War I, when a new generation of composers began writing specifically for percussion.

Andrew Porter, a renowned music critic and scholar and translator of opera, died early today in London's Chelsea and Westminster Hospital. His twin sister, Sheila Porter, told NPR his death was the result of complications from pneumonia. He was 86.

It was December 1990 — more than a year before the first Anonymous 4 album was released — when NPR invited four slightly shy women into our studio to sing 13th-century Christmas music. Back then, we already knew the manifold beauty of their sound, its purity and accuracy, was something unique.

Now, some 25 years and 21 albums later, the a cappella vocal quartet is calling it quits at the end of 2015. But not before one final visit to NPR.

Arvo Pärt was saved by the bell. The Estonian composer, who turns 80 in September, hit a creative roadblock in 1968. After a hiatus of eight years he returned with a new sound inspired by the simple triad (a stack of three notes, an essential building block of Western music) and by bells. He called his new style tintinnabuli (from the Latin for bells).

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