Stephen Thompson

Stephen Thompson is an editor and reviewer for NPR Music, where he writes the advice column The Good Listener, fusses over the placement of commas and appears as a frequent panelist on All Songs Considered. Since 2010, Thompson has been a fixture on the weekly NPR roundtable podcast Pop Culture Happy Hour, which he created and developed with NPR correspondent Linda Holmes. In 2008, he and Bob Boilen created the NPR Music video series Tiny Desk Concerts, in which musicians perform at Boilen's desk.

In 1993, Thompson founded The Onion's entertainment section, The A.V. Club, which he edited until December 2004. In the years since, he has provided music-themed commentaries for the NPR programs Weekend Edition Sunday, All Things Considered and Morning Edition, on which he earned the distinction of becoming the first member of the NPR Music staff ever to sing on an NPR newsmagazine. (Later, the magic of AutoTune transformed him from a 12th-rate David Archuleta into a fourth-rate Cher.) Thompson's entertainment writing has also run in Paste magazine, The Washington Post and The London Guardian.

During his tenure at The Onion, Thompson edited the 2002 book The Tenacity of the Cockroach: Conversations with Entertainment's Most Enduring Outsiders (Crown) and copy-edited six best-selling comedy books. While there, he also coached The Onion's softball team to a sizzling 21-42 record, and was once outscored 72-0 in a span of 10 innings. Later in life, Thompson redeemed himself by teaming up with the small gaggle of fleet-footed twentysomethings who won the 2008 NPR Relay Race, a triumph he documents in a hard-hitting essay for the book This Is NPR: The First Forty Years (Chronicle).

A 1994 graduate of the University of Wisconsin, Thompson now lives in Silver Spring, Md., with his two children, four cats and a room full of vintage arcade machines. His hobbies include watching reality television without shame, eating Pringles until his hand has involuntarily twisted itself into a gnarled claw, using the size of his Twitter following to assess his self-worth, touting the immutable moral superiority of the Green Bay Packers and maintaining a fierce rivalry with all Midwestern states other than Wisconsin.

Partnerships between well-known musicians often result in unequal collaborations: One voice, usually the singer's, winds up dominating. So it's refreshing to hear "Return To The Moon," the first released song by a project called EL VY.

Our pal Ari Shapiro is in a decent amount of demand these days: He's wrapping up a stint as an NPR international correspondent based in London, he's toured as a guest vocalist with the band Pink Martini, and he's just been named one of the hosts of All Things Considered. But we managed to gobble up one of his rare spare hours for this week's show, in which he, Linda Holmes, NPR film critic Bob Mondello and I talk music, movies and music in movies.

A couple weeks ago, Code Switch blogger Gene Demby and I sat down to reflect on a decade-old sports moment — a single play in a single game — and describe how it affected us as rival fans of the teams involved. In this second episode of the series we're calling The Giant Foam Finger, the two of us tackle a far unwieldier subject: hatred.

We get a lot of mail at NPR Music, and alongside the shipment of cat sedatives that have us pondering just how often we order shipments of cat sedatives is a slew of smart questions about how music fits into our lives. This time around: thoughts on sedating children (not cats) via music.

Not many country singers under 30 could score a chart-topping hit with mainstream mainstay Blake Shelton ("Lonely Tonight"), frequent collaborations with elder statesman Vince Gill and a spot in Jack White's Third Man House Band — which is saying nothing of Ashley Monroe's recurring role in the all-star trio

We talk a lot about nostalgia on Pop Culture Happy Hour — about the ways entertainment has shaped our youth and placed our memories in perspective — but in doing so, we've mostly discussed movies, TV shows, music, books, board games, that sort of thing.

Tame Impala's Kevin Parker is a relentless tinkerer: His songs have an impeccable, fussed-over quality, to the point where fussy impeccability could easily seem like the sum total of his mission. Sounding great and being great are two vastly different features in the ever-subjective world of rock 'n' roll, after all, and yet the Australian band's best songs have found ways to check both boxes.

Just a little less than five years ago, Linda Holmes and I decided to book a studio after-hours and record what we'd call "an audio experiment" — a roundtable discussion of pop culture with the two of us and our pals Trey Graham and Glen Weldon, produced by the essential Mike Katzif. By the time the first recording was complete, we'd decided to come back every week, even though our budget was zero and we'd never asked our bosses for permission.

For years, Nate Lacy's Mimicking Birds project has been linked to his friends and colleagues in Modest Mouse. That band's singer, Isaac Brock, released both of Mimicking Birds' terrific studio albums on his Glacial Pace label, and both groups are scheduled to tour together in August.

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