Scott Simon

Scott Simon is one of America's most admired writers and broadcasters. He has reported from all fifty states, five continents, and ten wars, from El Salvador to Sarajevo to Afghanistan and Iraq. His books have chronicled character and characters, in war and peace, sports and art, tragedy and comedy.

Simon's weekly show, Weekend Edition Saturday, has been called by the Washington Post, "the most literate, witty, moving, and just plain interesting news show on any dial," and by Brett Martin of Time-Out New York "the most eclectic, intelligent two hours of broadcasting on the airwaves." He has won every major award in broadcasting, including the Peabody, the Emmy, the Columbia-DuPont, the Ohio State Award, the Robert F. Kennedy Journalism Award, and the Sidney Hillman Award. Simon received the Presidential End Hunger Award for his coverage of the Ethiopian civil war and famine, and a special citation from the Peabody Awards for his weekly essays, which were cited as "consistently thoughtful, graceful, and challenging." He has also received the Barry M. Goldwater Award from the Human Rights Fund. Recently, he was awarded the Studs Terkel Award.

Simon has hosted many television specials, including the PBS's "State of Mind," "Voices of Vision," and "Need to Know." "The Paterson Project" won a national Emmy, as did his two-hour special from the Rio earth summit meeting. He co-anchored PBS's "Millennium 2000" coverage in concert with the BBC, and has co-hosted the televised Columbia-DuPont Awards. He also became familiar to viewers in Great Britain as host of the continuing BBC series, "Eyewitness," and a special on the White House press corps. He has appeared as a guest and commentator on all major networks, including BBC, NBC, CNN, and ESPN.

Simon has contributed articles to The New York Times, The Los Angeles Times, The New York Times Book Review, The Wall Street Journal, The Sunday Times of London, The Guardian, and Gourmet among other publications, and won a James Beard Award for his story, "Conflict Cuisine" in Gourmet. He has received numerous honorary degrees.

Sports Illustrated called his book Home and Away: Memoir of a Fan "extraordinary...uniformly superb...a memoir of such breadth and reach that it compares favorably with Fredrick Exley's A Fan's Notes." It was at the top of several non-fiction bestseller lists. His book, and Jackie Robinson and the Integration of Baseball, was Barnes and Nobles' Sports Book of the Year. His novel, Pretty Birds, the story of two teenage girls in Sarajevo during the siege, received rave reviews, Scott Turow calling it, "the most auspicious fiction debut by a journalist of note since Tom Wolfe's. . . always gripping, always tender, and often painfully funny. It is a marvel of technical finesse, close observation, and a perfectly pitched heart." Windy City, Simon's second novel, is a political comedy set in the Chicago City Council. Baby, We Were Meant for Each Other, an essay about the joys of adoption, was published in August 2010.

Simon's tweets to his 1.25 million Twitter followers from his mother's bedside in the summer of 2013 gathered major media attention around the world. He is completing a book on their last week together that will appear in time for Mother's Day 2015.

Simon is a native of Chicago and the son of comedian Ernie Simon and Patricia Lyons Simon. His hobbies are books, theater, ballet, British comedy, Mexican cooking and "bleeding for the Chicago Cubs." He appeared as Mother Ginger in the Ballet Austin production of The Nutcracker.

At the age of 64, when some retired people would look at brochures for cruises, Nell Irvin Painter — professor emeritus of American history at Princeton University — decided to go to art school.

The Creole word ayibobo carries many meanings. It can mean blessings or welcome. It can describe something wise or something you like. For Haitian singer-songwriter Paul Beaubrun, it signifies strength and resilience of his country, which is why he chose it to be the title of his latest album.

In 1978, Ron Stallworth was working as a detective in the Colorado Springs Police Department when he came across a classified ad to find out more about the Ku Klux Klan — and answered it. Two weeks later, he got a call on the police department's undercover operations line. It was the local KKK organizer. He asked why Stallworth wanted to join the Klan.

"I said I wanted to join because I was a pure, Aryan, white man who was tired of the abuse of the white race by blacks and other minorities," Stallworth recalls.

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SCOTT SIMON, HOST:

We all have songs that bring memories. Fifty years ago, Laura Nyro wrote a song that put momentous and terrifying events into words. Martin Luther King, an apostle of peace, had been shot down. There was grief, unrest and uprising in the streets.

An Israeli television series with an Arabic name that shows Israelis and Palestinians plotting against each other — and themselves — has become a fan favorite in 190 countries around the world, including Israel and many Arab states.

Fauda — Arabic for "chaos" — is now streaming its second season on Netflix in the United States. Lior Raz stars as Doron, an Israeli Defense Forces special operative who defies authority, has a messy domestic life and complicates everything by both spying on and falling for a Palestinian doctor who gets married to a Hamas commander.

Love and loss often inspire creativity. Aisha Burns' second solo album Argonauta is about the places where grief meets hope. What makes this album distinct is that it was written in response to a great loss in Aisha Burns' life — her mother's death — which occurred alongside the beginning of a great romance.

Aja Gabel's new novel has music cues for each new section. One of them is for Antonin Dvorak's "American" String Quartet in F, Op. 96, No. 12, which is performed in the opening of the book.

It's a love story, the famous violinist had said, and even though Jana knew it was not, those were the words that knocked around her brain when she began to play on stage.

Shakespeare wrote great tyrants. Macbeth, the Scot who plots a bloody route to the throne; Richard III, the brother of a king, and "rudely stamped," in Shakespeare's phrase, who murders his way into power and madness; Coriolanus, the Roman ruler who believes power in the hands of citizens is like permitting "crows to peck the eagles," and betrays his city; King Lear, Lady Macbeth, Henry VI, Julius Caesar — one of Shakespeare's themes is how men and women may lust for power, then use it in the worst way.

The Cannes Film Festival has opened with sizzle and glitz. But when you see photos snapped along the red carpet, you might want to think of two directors whose films have been nominated for the Palme d'Or award but are a long ways away from that glamour.

Kirill Serebrennikov, a Russian director, is under arrest in his apartment in Moscow.

Jafar Panahi is prohibited from leaving Iran to come to Cannes.

Wu Man is recognized as the world's greatest virtuoso on an instrument that is over 2000 years old: the Chinese pipa.

Pictures can be poems and vice versa: they're feelings captured in a phrase, a stroke, or an image. Leonardo da Vinci said, "Painting is poetry that is seen rather than felt, and poetry is painting that is felt rather than seen."

Lee Bennett Hopkins and the Metropolitan Museum of Art asked a number of poets to look at great classic art from the museum's collection and reflect their feelings in new poems.

The book that results is World Make Way: New Poems Inspired By Art From The Metropolitan Museum Of Art.

A generation after it won the Pulitzer Prize for drama, Edward Albee's Three Tall Women makes its Broadway debut this week.

Three women of different generations — one in her 90s, one in her 50s, one in her 20s — are brought together around a deathbed. They bark, joke, bicker and compare their different vantages in life.

At 19, R&B singer Ravyn Lenae knows how to channel her heartache. The Chicago-born artist's latest EP, Crush, proves that young people know love's perils just as well as the older and wiser. Her music recreates the merry-go-round of falling in love, even when you know it's with the wrong person.

The narrator of Ariel Lawhon's new novel asks readers on the first page: "Am I truly Anastasia Romanov? A beloved daughter. A revered icon. A Russian grand duchess? Or am I an impostor?"

Mari Andrew is the dark-haired woman in black glasses, both in real life and in the cartoons she draws for her Instagram account. She illustrates what she learns as she goes along — about loss, love and trying to grow up by the time you're 30 and accused of being an adult.

In Am I There Yet?: The Loop-De-Loop, Zigzagging Journey To Adulthood, Andrew has produced a book of cartoons, short essays, and pointed observations drawn — in all ways — from a couple of difficult years.

Paul Thorn is a natural-born Southern storyteller with humble stage banter and musical delivery that's gritty and gruff.

The Merry Spinster is one of the most anticipated books of the spring. Author Daniel Mallory Ortberg has recast classic tales, including "The Little Mermaid," The Velveteen Rabbit, "Beauty and the Beast," and even parts of the Old Testament, to make them resonate with new takes on romantic love, property rights, abusive relationships, gender roles and the stuffed animals we hold dear — and their unsparing lack of sentimentality.

Writer Stephanie Wittels Wachs got a phone call from her loving and accomplished brother Harris just three days before her wedding, in which he shared some surprising news.

What was it? "He told me he was a drug addict," Wachs says. He died two years later, of an overdose. Harris Wittels was a hilarious and respected Hollywood comic writer, who had become co-executive producer of NBC's Parks and Recreation by the time he was 30, and worked on award-winning shows like Master of None.

Barbra Streisand talked about women in Hollywood and national politics in an interview this week for Variety. But the remark that seems to have drawn the most attention is the star's revelation that two of her dogs, Miss Violet and Miss Scarlett, have been cloned from her late dog, Samantha, a conspicuously adorable fluffy white 14-year-old dog who died last year.

Chicago. David Mamet.

Maybe that's all that needs saying to introduce the first novel in more than 20 years by the celebrated and controversial playwright and screenwriter, who has so often made the city a signature in his works. It's a story of the mob era: hits ordered and adversaries iced; hooch in trucks which winds up in teapots; gunsels, madams, made men and molls.

Writer Michelle McNamara was fascinated by true crime. She created the website True Crime Diary and became mesmerized by a series of crimes from the 1970s and '80s: 50 sexual assaults and at least 10 brutal murders committed in Northern California by a violent psychopath who she called "The Golden State Killer."

McNamara was at work on a book she hoped might deliver the killer to justice — or at least comfort the victims' families — when she died suddenly in her sleep in 2016. She was 46.

There's a big, glittering musical in a classic key on Broadway again, where the townspeople of Yonkers sing and dance, the New York Central train toots steam and the audience starts standing in ovation from the moment the big-name star takes the stage.

Renée Watson's young adult novel Piecing Me Together tells the story of Jade, a Portland, Ore., high school student with "coal skin and hula-hoop hips." Jade has won a scholarship to St. Francis, a private school that's mostly white. She makes friends and does well, but she also feels the school sees her as some kind of project — and she doesn't like it.

A mentor named Maxine comes into her life with a program called Woman to Woman. Maxine is black too, and once lived in her neighborhood, but Jade wonders if Maxine just sees her as someone who needs to be saved.

Akwaeke Emezi's debut novel, Freshwater, is the lyrical, nonlinear story of a woman named Ada, born in Nigeria with, as she puts it, "one foot on the other side." Several "selves" exist inside of Ada, and they identify themselves as "we." When Ada comes to America for college, a traumatic event causes the "we" to take over, and Ada struggles to control her own body.

The author, who won the 2017 Commonwealth Short Story Prize for Africa, says she pulled from her own experiences.

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