Robin Hilton

Robin Hilton is the producer and co-host for the popular NPR Music show All Songs Considered.

In addition to his work on All Songs, Hilton curates NPR Music's First Listen series, a weekly showcase of select albums you can read about and hear in their entirety before they're officially released.

Prior to joining NPR in 2000, Hilton co-founded Small Good Thing Productions, a non-profit production company for independent film, radio and music in Athens, GA.

Hilton lived and worked in Japan as an interpreter for the government, and taught English as a second language to junior high school students.

From 1989 to 1996, Hilton worked for NPR member stations KANU and WUGA as a senior producer and assistant news director and was a long-time contributing reporter to NPR's daily news programs All Things Considered and Morning Edition.

Hilton is also a multi-instrumentalist and composer. His original scores have appeared in work from National Geographic, Center Stage and in films, including the documentary Open Secret. Hilton also arranged and performed the theme for NPR's Weekend All Things Considered. You can hear more of his music here.

Along the way, Hilton worked as an emergency room orderly, a blackjack dealer and a fruitcake factory assembly lineman.

On our most recent episode of All Songs Considered I noted that Sharon Van Etten can be heard on a new ad for Corona beer, and that a number of my favorite musicians have sold their songs for commercials.

On this week's All Songs Considered, Robin starts the show with a question: What bands have you discovered and fallen in love with from commercials? His first pick, Chairlift, has come a long way since its 2008 ad for the Apple iPod Nano.

On this week's All Songs Considered, Bob Boilen is getting excited for the CMJ Music Marathon in New York and Robin Hilton is just plain getting excited.

The musician and provocateur known as Peaches has just won a Polaris prize for the Best Canadian Album of the 2000s. Music fans selected her sexually charged debut release The Teaches Of Peaches in an online poll over albums by Arcade Fire, Broken Social Scene and Feist, among others.

Tomorrow, Oct. 9, would have been John Lennon's 75th birthday. So for this week's Throwback Thursday we're sharing a live webcast we did about The Beatles back in February of 2003. At the time, police in Amsterdam had just discovered a bunch of incredibly rare tapes that were stolen from The Beatles and had been missing for 30 years. So we had author Bruce Spizer in to talk about the newly recovered recordings. Bruce wrote The Beatles On Apple Records, and his conversation with host Bob Boilen dug deep into the Beatles' legacy and explained the history of the lost tapes.

This week on All Songs Considered, Bob Boilen and Robin share a few of their favorite things: choice tunes from cherished artists. We've got all the bases covered, from a devastating song about dementia from Daughter to an energetic anthem from Frank Turner on the power of positivity.

The members of Nashville's slacker rock group Bully could not be more emotionally detached and dismissive than they are in a new video for the song "Too Tough." Fronted by singer Alicia Bognanno, the band members plod their way through the song in a nondescript suburban living room, completely distracted and disinterested in their own performance. Drummer Stewart Copeland intermittently grows bored and stops playing all together.

When a legendary band returns after a long hiatus the results are often cringe-worthy—or mixed, at best. To be fair, it's nearly impossible to recapture the kind of magic that makes legends to begin with. But that's not the case with a surprise new album from the Electric Light Orchestra.

The look Born Ruffians frontman Luke Lalonde gives at the end of the band's latest video says it all: Things are rarely as awesome as you think they'll be. Or, more to the point, it's best to be careful what you wish for.

This week's show is split much like some of our favorite records: The A-side is loud and fast. The B-side is slow and quiet.

What can I say? You caught me in a good mood and I'm feeling generous. This week's Drum Fill Friday is a lowly one out of five stars for difficulty. I'd give it zero stars, but there's one song that I admit not everyone on the planet has probably heard, though they should. I'll leave it to you to decide which one I'm thinking of. And as always, good luck, careful listeners.

This week's episode of All Songs Considered is a journey of sound. Bob has a new favorite noise app, so he and Robin Hilton go on a sonic expedition that includes a spring walk, a gaggle of purring kittens, and a rolling rain storm (thunder optional). As if kittens weren't enough, Bob and Robin also have six new songs to share, including a British band, a Scandinavian band that sounds British, and an American band that sounds Scandinavian.

Most of the bands that play the Tiny Desk strip down their sound to accommodate the limited space and unconventional acoustics of an office. But Son Lux chose to do the exact opposite. Normally a trio of guitar, drums and keys based out of New York, the band blew up its sound for this performance, adding off-duty, civilian horn players from the United States Marine Band.

Bob Boilen is back after several weeks for this week's episode of All Songs Considered, and at least part of this week's show is Robin coming to terms with Bob's new beard.

This week, the All Songs team picks songs that sound like revolutions. Bob Boilen is out, so co-host Robin Hilton is joined by Katie Presley in D.C. and Timmhotep Aku in New York. The trio shares big, smashy music that lets Robin engage in his once-yearly purge of emotion.

Look, we all have work to do. But it's Friday, and this drum fill puzzler isn't going to quiz itself. So put down whatever you're doing, put on your headphones and see how many of these fills you can match to the right song. I'd give this week's Drum Fill Friday three out of five for difficulty.

Good luck, careful listeners, and as always, if you have a drummer or a fill you'd like to see featured in these weekly puzzlers, let us know in the comments section or via Twitter @allsongs, #drumfillfriday.

Eagles drummer, singer-songwriter and producer Don Henley is back with his first solo album in 15 years.

Protomartyr's latest song, its best yet, is a fierce and unforgettable shredder. "Why Does It Shake?" — from the Detroit band's upcoming album, The Agent Intellect -- rumbles and roars with a gritty chug as frontman Joe Casey stares down his own mortality. "Sharp mind, eternal youth / I'll be the first to never die / Nice thought / And I'm never going to lose it."

This week's Drum Fill Friday comes from Guest Quizmaster Hanna Brewer, drummer for the Texas party-rock group Purple. The group is known for its rowdy live shows and healthy sense of humor, and is currently on tour for its debut album, (409).

Brewer, who also sings for Purple, shared a range of her own influences for this week's puzzler, from hip-hop to reggae, rock and pop. I'd give it three drum sticks out of five for difficulty. As always, good luck, careful listeners!

While they're not splitting open a person's chest and massaging their heart back to life, musicians and the songs they make may actually be saving lives.

When Clap Your Hands Say Yeah released its self-titled debut record in 2005, it became one of the first albums to break big because of the Internet. The band recorded and released it on its own, without any label support, and shared it on the group's website, where fans picked it up and quickly spread the word.

On our show this week, bigger is better. We start with a pop anthem and feature a set of artists all leaning into or newly discovering their boldest, most attention-grabbing music yet. Some, as in the case of a frontman gone solo and a bilingual saxophone-heavy punk band, deliver precisely the momentous sounds we'd expect. Others used the pull of memory, a desperate four-month stretch of insomnia, or a single shared microphone and two minutes of trippy ambience to level up their sonic ambitions.

Sharon Van Etten could sing the instruction manual for a dishwasher and make it sound like lyrical poetry. Over the course of four full-lengths, her voice has only evolved and grown both bolder and more nuanced. Van Etten plays every word like an instrument, bending one note into the next with a woozy purr that's sometimes sensual, sometimes heartbreaking but always arresting.

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