Mark Jenkins

Mark Jenkins reviews movies for NPR.org, as well as for reeldc.com, which covers the Washington, D.C., film scene with an emphasis on art, foreign and repertory cinema.

Jenkins spent most of his career in the industry once known as newspapers, working as an editor, writer, art director, graphic artist and circulation director, among other things, for various papers that are now dead or close to it.

He covers popular and semi-popular music for The Washington Post, Blurt, Time Out New York, and the newsmagazine show Metro Connection, which airs on member station WAMU-FM.

Jenkins is co-author, with Mark Andersen, of Dance of Days: Two Decades of Punk in the Nation's Capital. At one time or another, he has written about music for Rolling Stone, Slate, and NPR's All Things Considered, among other outlets.

He has also written about architecture and urbanism for various publications, and is a writer and consulting editor for the Time Out travel guide to Washington. He lives in Washington.

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Movie Reviews
3:03 pm
Thu April 16, 2015

'Monkey Kingdom' Is Best When It's All Monkeys All The Time

Monkeys on Castle Rock from Disneynature's Monkey Kingdom.
Jeff Wilson Disney

As much fun as a tree full of toque macaques, Monkey Kingdom is arguably the most entertaining of Disneynature's eight features. But purists will recoil as soon as The Monkees theme enters, and there are times when the story told by narrator Tina Fey probably doesn't reflect the extraordinary images directors Mark Linfield and Alastair Fothergill captured.

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Movie Reviews
3:03 pm
Thu April 9, 2015

Listening To The Ho-Hum Of The Machine

Sonoya Mizuno and Alicia Vikander in Ex-Machina.
A24 Films

Originally published on Thu April 9, 2015 3:41 pm

The latest British movie to play the imitation game, Ex Machina, is the directorial debut of novelist-screenwriter Alex Garland. This time, the stakes are higher than the Nazi conquest of Europe. The talky sci-fi puzzler turns on nothing less than the potential displacement of humans by artificially intelligent cyborgs.

Then again, maybe the film is just another riff on the battle of the sexes.

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Movie Reviews
7:39 pm
Sat April 4, 2015

The Overstuffed, Overdone, Overlong, Cheerfully Absurd 'Furious 7'

At the end of The Fast and the Furious, Brian (Paul Walker) gives former enemy Dom (Vin Diesel) a car so he can drive alone into the sunset. Fourteen years and six films later, there's precious little alone time for the Furious clan. This lucrative franchise has so many recurring characters that they really should trade in their muscle cars and charter a team bus.

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Movie Reviews
3:03 pm
Thu March 26, 2015

Married Without Children, But With Overgrown Adolescents

Ben Stiller and Naomi Watts play married couple Cornelia and Josh in the Noah Baumbach film While We're Young.
Jon Pack A24

Noah Baumbach's best movie since 2005's The Squid and the Whale, While We're Young navigates into more mainstream territory while losing none of the writer-director's rueful wit. Oddly enough, the comedy's major weakness is that it's over-plotted, hardly an issue with such Baumbach flawed-character studies as Frances Ha and Greenberg.

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Movie Reviews
3:03 pm
Thu March 19, 2015

'Kumiko' Follows A Quest For A Film's Snowy Treasure

Rinko Kikuchi in Kumiko, The Treasure Hunter.
Sean Porter Amplify

Originally published on Thu March 19, 2015 6:36 pm

Withdrawn and inarticulate, the heroine of Kumiko, The Treasure Hunter lives primarily inside her own imagination. And during at least two crucial scenes, this deadpan comedy seems to crawl in there with her.

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Movie Reviews
3:03 pm
Thu March 12, 2015

Two Sisters And One Tax Inspector Make Up '3 Hearts'

Charlotte Gainsbourg and Chiara Mastroianni in 3 Hearts.
Thierry Valletoux Cohen Media Group

The man at the center of 3 Hearts has a unreliable ticker. That may seem a brazen contrivance, but the movie is a melodrama that relishes such narrative ploys. Shot with handheld camera, director and co-writer Benoit Jacquot's movie looks like a naturalistic drama. But the script says otherwise.

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Movie Reviews
3:03 pm
Thu March 5, 2015

'Unfinished Business' You're Better Off Not Even Starting

In the midst of a European business trip, Dan Truckman (Vince Vaughn) Timothy McWinters (Tom Wilkinson) and Mike Pancake (David Franco) somehow end up in a pasture.
Jessica Miglio Twentieth Century Fox

It's unclear what commerce is left undone in Unfinished Business, a fumbling mix of sentimental family fable and gross-out sex comedy. Maybe the movie was originally titled Unfunny Business, but someone decided that would be bad for, well, business.

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Movie Reviews
3:01 pm
Thu February 26, 2015

A Disorienting But Electrifying Look At The Troubles

British soldier Gary Hook (Jack O'Connell) is accidentally abandoned by his unit after a riot in Belfast.
Dean Rogers Roadside Attractions

Originally published on Thu February 26, 2015 4:11 pm

Grim, terse and jumpy, '71 effectively evokes the chaos of early-1970s Belfast. A little too effectively, perhaps, since some sequences are as bewildering as the four-way civil war the movie re-creates. American viewers may wish the film came with both subtitles and a study guide.

'71 can be recommended, though, to viewers who don't mind a little bewilderment in the cause of an authentically visceral experience. After all, Northern Ireland residents who lived through The Troubles were probably also confused much of the time.

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Movie Reviews
3:03 pm
Thu February 19, 2015

'Queen And Country' Follows A Familiar Protagonist Through A New War

Tamsin Egerton in Queen and Country.
Sophie Mutevelian BBC Worldwide North America

In John Boorman's first semi-autobiographical film, 1987's Hope and Glory, war came to the school-age protagonist's London. In Queen and Country, set roughly a decade later, the director's alter ego goes to war — except that he doesn't. As the Korean conflict rages, 19-year-old Bill Rohan (Callum Turner) is drafted, trained and sent into service as a typing instructor.

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Movie Reviews
3:03 pm
Thu February 12, 2015

'Gett' Follows A Years-Long Quest For Separation

Viviane (Ronit Elkabetz) in Gett.
Music Box Films

Seen mostly in a cell-like white room, the characters in Gett: The Trial of Viviane Amsalem circle each other fruitlessly, seeking a resolution that's probably unachievable. Both the scenario and its severity suggest a play by Sartre or Beckett. But these actors are trapped not in an existential void but a rabbinical one.

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