Lourdes Garcia-Navarro

Lulu Garcia-Navarro is the host of Weekend Edition Sunday. She is infamous in the IT department of NPR for losing laptops to bullets, hurricanes, and bomb blasts.

Before joining the Sunday morning team, she served an NPR correspondent based in Brazil, Israel, Mexico, and Iraq. She was one of the first reporters to enter Libya after the 2011 Arab Spring uprising began and spent months painting a deep and vivid portrait of a country at war. Often at great personal risk, Garcia-Navarro captured history in the making with stunning insight, courage, and humanity.

For her work covering the Arab Spring, Garcia-Navarro was awarded a 2011 George Foster Peabody Award, a Lowell Thomas Award from the Overseas Press Club, an Edward R. Murrow Award from the Corporation for Public Broadcasting, and the Alliance for Women and the Media's Gracie Award for Outstanding Individual Achievement. She contributed to NPR News reporting on Iraq, which was recognized with a 2005 Peabody Award and a 2007 Alfred I. duPont-Columbia University Silver Baton. She has also won awards for her work on migration in Mexico and the Amazon in Brazil.

Garcia-Navarro got her start in journalism as a freelancer with the BBC World Service and Voice of America. She later became a producer for Associated Press Television News before transitioning to AP Radio. While there, Garcia-Navarro covered post-September 11 events in Afghanistan and developments in Jerusalem. She was posted for the AP to Iraq before the U.S.-led invasion, where she stayed covering the conflict.

Garcia-Navarro holds a Bachelor of Science degree in International Relations from Georgetown University and an Master of Arts degree in journalism from City University in London.

What does it mean to be human? In Lidia Yuknavitch's new novel The Book of Joan, what's left of the human race is orbiting above the Earth, sexless and ageless, prisoners in a technological hell. Their lives are preserved through growing limbs and grafting skin. Presiding over it all is a one-time billionaire celebrity who evolved through media and technology into a despot.

The CW's Jane the Virgin is both a send-up of and a love letter to Latin telenovelas. So, not surprisingly, its plot is a little complicated. In the first season, Jane (a virgin) becomes pregnant after being accidentally artificially inseminated with sperm from Rafael, a married businessman who starts to develop feelings for Jane. On top of that, Jane's father, telenovela star Rogelio De La Vega, is back in her life. From there, things only get more dramatic.

A few years ago Laura Kipnis — a tenured professor at Northwestern — published an essay in the Chronicle of Higher Education. In it she argued that the rules governing sexual relationships between students and professors had become draconian. The response was intense, eventually growing to include a Title IX investigation filed against Kipnis by two graduate students.

It's 2075, and America has been beset by flooding linked to climate change. The President has banned the use of fossil fuels. The southern states have broken away, looking to protect the coal mining industry. A rabid civil war is taking place. A weakened America sees new empires in China and the Middle East meddling in its affairs — and Mexico has annexed most parts of the Southwest, from Texas to California.

War movies are generally told from male perspectives, says director Niki Caro — but that doesn't have to be the case.

Her new film, The Zookeeper's Wife is an adaptation of Diane Ackerman's 2007 book. It's based on the diaries of Antonina Żabińska, who, along with her husband Jan Żabiński, saved hundreds of Jews during World War II by sheltering them in the Warsaw Zoo.

"I saw in this material a new kind of Holocaust movie ..." Caro says, "Because it was a woman's perspective and about a woman's experience of war."

Christina Ricci's film career began early — at just 10 years old, she played the adorably malevolent Wednesday Addams in The Addams Family. From there, she went on to play fascinating and often dark and damaged characters, making a name for herself as an actress who could tap into complex roles.

Looking at Claire Rosen's photographs can feel like walking into someone else's dreams. One of her images shows a young girl about to be dragged into the sky by a pack of flying toy horses. Another series shows horses, hedgehogs, cockatoos and camels posed before different sumptuous feasts, as if having their own last suppers.

Undergoing treatment for cancer is hard enough by itself. And for many cancer patients who spend most of their time in a hospital, it gets even harder with the loss of basic comforts. The hospital's sterile environment, the fluorescent lights and the disposable gowns do little to make medical treatment more bearable. Nikla Lancksweert, wanted to do a little something to help with that dehumanizing experience, focusing on an alternative for those uncomfortable hospital gowns.

Like most comedians, Cristela Alonzo draws upon her own experiences for her source material. That means, as a first-generation American, Alonzo has also always tackled challenging topics in her comedy. She now lives in California, but she grew up just 9 miles from the Mexico border, in San Juan, Texas.

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Coffee lovers, alert! A new report says that the world's coffee supply may be in danger owing to climate change. In the world's biggest coffee-producing nation, Brazil, the effects of warming temperatures are already being felt in some communities.

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It's a soup kitchen fit for kings and queens.

And that is exactly the way internationally famous chef Massimo Bottura wants it. The aim of this new venture, though, is different: It's a gourmet soup kitchen that uses leftovers to feed the less fortunate.

When you walk into Bottura's latest culinary temple, it would not be out of place in his home city of Modena, Italy, the location of his Michelin three-star restaurant Osteria Francescana.

In the opening ceremony of Rio's Olympic Games, Brazil's favelas, or shantytowns, were showcased as the birthplace of a lot of Brazil's culture.

That was showbiz. In three of the most iconic communities, the reality of how these Olympics are affecting favela residents is more complicated.

Brazil is one of the most unequal countries in the world. In Rio, at least 25 percent of the population lives in impoverished communities.

Take Santa Marta. Perched above Rio's expensive South Zone, it's the city's most internationally famous favela.

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As Venezuela unravels — with shortages of food and medicine, as well as runaway inflation — President Nicolas Maduro is increasingly unpopular. But he's still holding onto power.

"The truth in Venezuela is there is real hunger. We are hungry," says a man who has invited me into his house in the northwestern city of Maracaibo, but doesn't want his name used for fear of reprisals by the government.

The wiry man paces angrily as he speaks. It wasn't always this way, he says, showing how loose his pants are now.

As we drive from the coastal Venezuelan city of Maracaibo toward Colombia, we see dozens of trucks, some of them escorted by Venezuelan National Guard soldiers.

They've come from Colombia — laden with illegal contraband — even though the border is officially closed.

Regular people or smugglers who don't have deals with the military have to brave what my driver calls la carretera sin ley, or the lawless road.

We stop at a crowded strip mall where a group of smugglers is sitting. One of them agrees to talk, but he also doesn't want his name used.

There are two Venezuelas.

In one, there are food riots and empty supermarket shelves and long lines of people waiting for basic goods. In the other, there are gourmet meals, creamy cappuccinos and rich desserts.

At the Santa Elena supermarket in the poor neighborhood or barrio of Antimano in Caracas, the capital, 72-year-old Nerys Ojeda is looking for detergent to wash her clothes. There isn't any.

"We can't find flour, spaghetti, sugar, butter. You can't find any of the things we really need," she says.

If you Google "Rio Olympics" right now, you won't see much about the athletes.

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In the misty rain, surrounded by Rio de Janeiro's green hills, police officer Eduardo Dias was buried last week. He was shot, purportedly by gang members, as he was leaving his post inside the favela, or shantytown, where he worked as a community cop.

The killing took place a few hundred feet from the Maracana Stadium, where the opening ceremony of the Summer Olympics will be held on Aug. 5. As family members wept by the graveside, the pastor raised his hands.

Last week it was all about the #OscarsSoWhite controversy. That was about racism.

This week, social media erupted over something that has long been an issue within the black community. Colorism — the idea that your skin tone and not only your race determines your opportunities.

Actress Zoe Saldana faced a firestorm over her portrayal of music and civil rights icon Nina Simone.

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When it comes to Carnival, not even the Zika virus stops the party in Brazil. The highlight of the festivities are the samba parades. And tonight, NPR's Lourdes Garcia-Navarro will be part of this high-stakes competition.

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We're also tracking impeachment proceedings against the president of Latin America's biggest country. NPR's Lourdes Garcia-Navarro reports on Dilma Rousseff's fight for her political life.

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