Linda Holmes

Linda Holmes writes and edits NPR's entertainment and pop-culture blog, Monkey See. She has several elaborate theories involving pop culture and monkeys, all of which are available on request.

Holmes began her professional life as an attorney. In time, however, her affection for writing, popular culture and the online universe eclipsed her legal ambitions. She shoved her law degree in the back of the closet, gave its living-room space to DVD sets of The Wire and never looked back.

Holmes was a writer and editor at Television Without Pity, where she recapped several hundred hours of programming — including both High School Musical movies, for which she did not receive hazard pay. Since 2003, she has been a contributor to MSNBC.com, where she has written about books, movies, television and pop-culture miscellany.

Holmes' work has also appeared on Vulture (New York magazine's entertainment blog), in TV Guide and in many, many legal documents.

This week's show came to you a little late, because that's how much we wanted to drag our pal Petra Mayer of NPR Books to see Pitch Perfect 2 with us before we taped.

[This post about the plot and characters in Avengers: Age Of Ultron discusses the plot and characters in Avengers: Age Of Ultron.]

We were never going to avoid gender politics with a character named "Black Widow."

What's upfronts week, anyway?

Upfronts week is when the broadcast networks, in this order and in general, (1) make final decisions about canceling or keeping existing shows, (2) unveil their schedules for the fall and spring seasons, and (3) present their new shows to advertisers to kick off their ad sales. In other words, "Look at this beautiful show! Wouldn't you like to put your beautiful commercial right between the first and second acts?"

What do we know about new shows at this point?

[Note: Listen to the audio above to hear a conversation I had with Pop Culture Happy Hour team member Stephen Thompson about the end of the show.]

Ahead of its fall programming presentation to advertisers in the afternoon, Fox announced Monday that the 15th season of American Idol, which will begin in January 2016, will be the last.

The opening credits of the new Netflix comedy (maybe comedy-drama) Grace And Frankie lay out the show's high concept using the song "Stuck In The Middle With You" and a set of wedding cake toppers. You see two couples, then two couples with kids, then the husbands kissing, then the abandoned women falling through the broken cake.

You may have heard about a plucky little indie film called Avengers: Age Of Ultron, which opened last weekend.

The film I Am Big Bird: The Caroll Spinney Story, which focuses on the life of puppeteer Spinney, avoids a few common pitfalls in the biographical documentary. It doesn't occupy its entire running time with people saying how amazing Spinney is or with testimonials to the importance of his work. It doesn't return to the same analyses of the effects of Sesame Street on children that have been offered a million times before. It doesn't explain over and over how puppeteers merge with their characters.

On the fantastic advice podcast Judge John Hodgman, one of the things Hodgman always says in getting litigants to relay their stories is that "specificity is the soul of narrative." Specificity is also the soul of parody, as we saw Tuesday night on Inside Amy Schumer.

Sunday night's Mad Men was the antepenultimate episode of the series – a word we don't get to use enough, but one that can be surprisingly significant in television. The second to last episode is often (rightly or wrongly) understood and analyzed as finale table-setting, so this third to last episode is sometimes the last that feels like the regular show. And for Mad Men, it seemed to serve as a crystallizing hour for the themes that the show has returned to over and over, reaching no conclusions about those themes but turning them over and over in its narrative hands.

Another year, another Free Comic Book Day!

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