Jacki Lyden

While we may always be concerned with the lives of the rich and famous, the rich and famous don't always deserve that concern. Even in the hands of the legendary biographer Mary Lovell, I wondered if the denizens of The Riviera Set would sustain our interest five decades on, for the book ends in 1960 — and ostentatious wealth is now on a nasty bender.

Beginning Friday, the New York branch of the Smithsonian's National Museum of the American Indian will host the exhibit Native Fashion Now, a traveling show from the Peabody-Essex Museum in Salem, Mass. It highlights a dazzling array of contemporary fashion made by dozens of Native American designers.

Recently, on a hot summer morning with cumulus clouds towering overhead, black cattle grazed in South Florida fields, dotting the horizon along with clumps of palm trees. At the Big Cypress Reservation, Moses Jumper is a tribal elder and owner of nearly 300 head — and a fourth-generation cattleman.

The Seams, an occasional NPR series on clothing as culture, has been reporting a series about Florida Seminole Indian patchwork and its heritage and use in tribal life. Read the first installment in this series, "Osceola At The Fifty Yard Line."

Seminole patchwork is not well-known outside the state of Florida. The Seams looks at culture through clothing — and within this hand-sewn and folded patchwork is the story of the Seminole Tribe of Florida.

Elsa Schiaparelli, known as the Queen of Fashion, was the supreme innovator of dress design in the first half of the 20th century. Based in Paris, she seemed to know what women wanted before anyone else, says author Meryle Secrest. But Secrest's new Elsa Schiaparelli: A Biography begins with the designer's emotionally starved, lonely childhood in a vast palazzo in Rome.

It can be hard to talk about clothes in an intelligent way. Fashion critic Kennedy Fraser once wrote in The New Yorker that the act of donning a garment can seem almost furtive or trivial, something beneath debate or intellectual content. The editors of Women in Clothes would agree that it's a challenge. The book collects essays, conversations, pictures and testimonials from more than 600 women talking about how clothes shape or reflect them as human beings.

Thursday in New York, the Metropolitan Museum of Art officially reopens its fashion galleries after a $40 million, two-year renovation.

Named for Vogue magazine's editor, the Anna Wintour Costume Center features an inaugural exhibit of the work of Charles James, a flamboyant designer considered America's first couturier. This caps days of glamorous events at the Met, including the Costume Institute's benefit gala, presided over by Wintour — with Hollywood stars.

Last year, there were more than two-dozen shootings on or near college campuses in the United States. This past Tuesday, that number went up, with the fatal shooting of a student at Purdue University. Then Friday, a fatal shooting at South Carolina State University. It will, of course, tick up again.

A thousand years ago, a Persian poet named Abolqasem Ferdowsi of Tous obtained a royal commission to put the ancient legends and myths of Iran into a book of verse.

He called this epic Shahnameh, or "Epic of the Persian Kings." It took him more than three decades and comprises 60,000 couplets — twice the length of The Iliad and The Odyssey combined.

Author Azar Nafisi, who wrote the memoir Reading Lolita in Tehran, says the importance of this foundational myth epic to Iranians can't really be overstated.

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JACKI LYDEN, HOST:

Copyright 2018 NPR. To see more, visit http://www.npr.org/.

JACKI LYDEN, HOST:

And if you're just joining us, this is WEEKENDS on ALL THINGS CONSIDERED from NPR News. I'm Jacki Lyden.

When you hear the word dandy, what do you think of?

Maybe the song "Yankee Doodle Dandy," which dates all the way back to the Revolutionary War, and compares the colonists to foppish, effeminate idiots: the dandies.

But a summer exhibit at the Rhode Island School of Design Museum, closing Aug. 18, aims to reclaim the term. It explores dandyism through the ages, linking to the cutting edge of men's fashion and style. The name of the show is "Artist, Rebel, Dandy: Men of Fashion" — which does still leave you wondering what you might see.

The Bark River is my backyard, childhood river. And yet, in a lifetime of travel, I'd never explored it.

I knew it carved the land from the Ice Age to settlement times, from the Black Hawk War of 1832 (in which young Abraham Lincoln appears) to the era of grist mills. But the Bark also flows past impressive Indian mounds. It nurtured poets, naturalists and farmers.

When former Marquette University professor Milton Bates published his Bark River Chronicles through the Wisconsin State Historical Society, I jumped at the chance to learn about the river with him.

In the 1960s, Al Black could be found cruising up and down Route 1 in his blue-and-white Ford Galaxy — with a trunk full of wet landscape paintings.

At the time, he was a salesman who could snatch your breath away and sell it back to you. As artist Mary Ann Carroll puts it, he could "sell a jacket to a mosquito in summer."

"A salesman is a con-man," Black readily admits himself today. He's a storyteller. And does he have stories to tell.

In the 1960s and '70s, if you were in a doctor's office, or a funeral home, or a motel in Florida, chances are a landscape painting hung on the wall. Palms arching over the water, or moonlight on an inlet. Tens of thousands of paintings like this were created by a group of self-taught African-American artists, concentrated in Fort Pierce, Fla.

Ever wanted to just disappear into a secret garden of earthly delights, of twists and turns of evocative ruin, exuberant tropics, the Zen of a Japanese teahouse?

Consider Chanticleer, in Wayne, Pa. It's part of the old Main Line ring of estates around Philadelphia. In fact, right across the street from the garden is the former home of Helen Hope Montgomery Scott, the heiress portrayed by Katherine Hepburn in Philadelphia Story.