Heller McAlpin is a New York-based critic who reviews books regularly for NPR.org, The Los Angeles Times, The Washington Post, The Christian Science Monitor, The San Francisco Chronicle and other publications.
Originally published on Wed March 11, 2015 3:18 pm
J.C. Hallman's audacious B & Me: A True Story of Literary Arousal, is a textbook example of "creative criticism" — a highly personal form of literary response that involves "writers depicting their minds, their consciousnesses, as they think about literature." Hallman, who has championed creative criticism in two anthologies, has written a wildly intelligent, deeply personal, immoderate — and somewhat belabored — exploration of Nicholson Baker's entire oeuvre, reading in general, and the state of modern literature.
Ever since Michel de Montaigne hit on the winning mix of frankly personal and broader philosophical reflections in his 16th century Essays, the personal essay has attracted those for whom the unexamined life is — well, unthinkable. In recent years, we've seen a spate of auto-pathologies — minutely observed meditations on the tolls of often strange ailments. A newer trend is the meta-diary — short autobiographical entries that frequently explore the writer's relationship with time, memory and identity.
Originally published on Tue February 10, 2015 7:35 am
You don't read Anne Tyler to have your worldview expanded, or to be kept awake at night anxiously turning pages. You read, instead, for the cozy mildness, the comfort of sinking into each new warmhearted, gently wry book.
Originally published on Tue January 27, 2015 11:53 am
Reading Esther Freud's eighth novel — about an English boy's unlikely but life-expanding friendship with Scottish architect and artist Charles Rennie Mackintosh — is a bit like watching a watercolor painting take shape. Mr. Mac and Me begins with delicate dabs of color, as 13-year-old Thomas Maggs, the only surviving son of an abusive alcoholic pub proprietor and his long-suffering wife, paints a plaintive picture of life at the aptly named Blue Anchor, in the Sussex village of Walberswick.
Rachel Cusk is better known in England than in America; her sharply satirical books about the tolls of family life play better across the Atlantic than here in our often puritanical culture, with its bias towards domesticity. In her controversially bitter memoirs, including A Life's Work and Aftermath, and in piercing — but always beautifully written — novels like The Lucky Ones, Cusk has examined the difficulties of self-definition in the context of marriage, motherhood and family.
Originally published on Sat December 6, 2014 4:45 am
Can a book be both linguistically playful and dead serious? Structurally innovative and reader-friendly? Mournful and joyful? Brainy and moving? Ali Smith's How To Be Both, which recently won the prestigious, all-Brit two-year-old Goldsmiths prize for being a truly novel novel, is all of the above — and then some.
Originally published on Tue November 11, 2014 9:01 am
Jon Krakauer's 1996 book Into the Wild delved into the riveting story of Chris McCandless, a 24-year-old man from an affluent family outside Washington, D.C., who graduated with honors from Emory, then gave away the bulk of his money, burned the rest and severed all ties with his family. After tramping around the country for nearly two years, he headed into the Alaska wilderness in April 1992. His emaciated body was found a little over four months later.
In her surprise 2003 bestseller, Reading Lolita in Tehran, Iranian emigré Azar Nafisi made clear why fiction matters in totalitarian regimes. With The Republic of Imagination, she seeks to demonstrate the importance of great literature even in a democratic society, one threatened not by fundamentalist revolutionaries but by the danger of "intellectual indolence."
Originally published on Tue October 14, 2014 11:43 am
Did you know that the collective noun for a flock of parrots — akin to, say, a pride of lions — is a pandemonium? Apparently, Michele Raffin didn't know that either when she founded Pandemonium Aviaries — named instead for the chaotic, noisy nature of her "petulant psittacines" and "feathered vaudevillians." The apt name is characteristic of the serendiptious nature of what has turned out to be her life calling.