Felix Contreras

Felix Contreras is co-host of Alt.Latino, NPR's web-based program about Latin Alternative music and Latino culture. It features music as well as interviews with many of the most well-known Latino musicians, actors, film makers and writers.

Previously, Contreras was a producer and reporter for NPR's Arts Desk and covered, among other stories and projects: a series reported from Mexico introducing the then-new musical movement called Latin Alternative; a series of stories on the financial challenges facing aging jazz musicians; and helped produce NPR's award winning series 50 Great Voices.

He once stood on the stage of the legendary jazz club The Village Vanguard after interviewing the club's owner and swears he felt the spirits of Coltrane and Monk walking through the room.

Contreras is a recovering television journalist who has worked for both NBC and Univision. He's also a part-time musician who plays Afro-Cuban percussion with various jazz and Latin bands.

As part of our celebration of Black History Month and Afro-Latino culture, we turn this week to how the influence of Africa has been interpreted in various Latin and Caribbean cultures. The music of West Africa, where a majority of those enslaved in the Americas came from, was diffused through both an indigenous and Spanish filter to become the distinct sounds and rhythms that we know today.

Note: NPR's First Listen audio comes down after the album is released. However, you can still listen with the Spotify or Apple Music playlist at the bottom of the page.


The covers for Miguel Zenón's recent albums are almost worth buying on their own: evocative, full of personality, compelling as storytelling.

Some say you have to have loved and lost to appreciate the beauty of the bolero. Since its inception in Cuba in the early 20th century, the music has been designed for thoughtful and emotional consideration of the joys and pains that come with loving someone so intensely, it becomes like a religion to adore that special someone (an actual bolero lyric).

Lila Downs has spent her career exploring the furthest reaches of Mexican folk music. With a voice that borrows heavily from opera, Downs performs the kind of full-throated mariachi singing that would fit right in at Mexico City's Garibaldi Square — ground zero for mariachi.

When singer Alsarah left her native Sudan, she was just a child who'd shown an interest in music. She's said it served as her coping mechanism during a subsequent transition to life here in the U.S. That passion led her to a university degree in ethnomusicology.

The 59th Annual Grammy nominees were announced Tuesday morning, and while familiar names appeared among the five Latin music categories, there were also some nice surprises.

It's hard to imagine this quietly subtle performer belting out vocals in front of tens of thousands of fans as part of the wildly popular hip-hop group Calle 13. But Ileana Cabra, who performs solo as iLe, lives that kind of life.

Note: NPR's First Listen audio comes down after the album is released. However, you can still listen with the Spotify playlist at the bottom of the page.


The first thing we must note about this album by the Hart Valley Drifters is that it is not the most authentic bluegrass or old-time music. This is not from a long-lost box of tapes found in a dusty closet, not performed by a group of master folk musicians from somewhere in Appalachia.

2016 has been particularly hard on music fans of all stripes.

This week, Alt.Latino takes a literary turn as we explore the world of Latino noir.

Good guys, bad guys and cops who are both; murder, intrigue and gallows humor; highly stylized writing — it's all there, as with any noir fiction. But these books and stories are written by Latinx authors.

I've always thought Nina Diaz was fierce.

"Go before it changes!"

I can't tell you how many times I have heard that charge since the thaw in relations between the U.S. and Cuba, which has prompted so many people to visit the island nation.

What feeling of freedom must accompany recording artists who don't use their real names when they write or perform music? Does a musical mask, a second personality, let them create a whole new persona? A way to react differently to the world? I remember one Halloween, I went to a costume party at a friend's office. I didn't know anyone there, and was wearing a costume that included a mask that completely covered my face. I'll never forget the complete freedom as my friend's office mates tried to figure out who I was.

Dizzy Gillespie once described Charlie Parker as the other half of his heartbeat. They were young men creating something from whole cloth, stretching the limits of their creativity and intellect every time they drew a breath together on the bandstand.

Gaby Moreno's Ilusión represents a high-water mark in a musical career that's never been predictable. It's one of the strongest statements I've heard from a musician who ignores boundaries and genre classifications to create a sound greater than the sum of its parts.

Rudy Van Gelder, an audio recording engineer who captured the sounds of many of jazz's landmark albums, died Thursday morning in his sleep. He was at his home studio in New Jersey, according to Maureen Sickler, his assistant engineer. He was 91.

When I first saw Nina Diaz back in 2010, she was fronting a punk trio from San Antonio called Girl In A Coma. She and the band sounded ferocious, with an unmistakable spirit of fun — for proof, here's their Tiny Desk concert from a couple years later.

For the Portland, Ore., band Y La Bamba, creativity and talent have combined and crystalized to form a unique sound. That sound is the sum of many individual musical experiences and influences, but it also reflects a shared vision. Most importantly, on the new Ojos Del Sol, it sounds as if the group is having a blast playing music.

When Jerry Garcia died unexpectedly in August 1995, his Grateful Dead bandmate Bob Weir went right back out on the road to deal with the loss of his friend.

Jane Bunnett knows a few things about Cuban music. She and her husband, trumpeter Larry Kramer, have been traveling to the island from their home base of Toronto for more than 30 years. They've collaborated with musicians there, as well as back home in Canada and on tours around the globe.

It's often a challenge to find enough inspiration to get out of bed in the morning, let alone try to craft any kind of lasting creative expression. So it's hard to fathom what it's like for guitarist Jeff Beck to go to the well for more than 50 years and still achieve something creative. But he's been able to accomplish just that on his new album, Loud Hailer.

Pages