Eric Deggans

I never really understood why so many people saw The Crown as a superior TV show last season.

Yes, the Netflix drama has the production values and ambition of an epic motion picture, tracing the long reign of Queen Elizabeth II. And for those who miss the aristocratic soap opera of Downton Abbey, a big-budget recounting of the royal family's turmoil over marriages and abdications is quite a replacement. Who can argue with 13 Emmy nominations?

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The latest powerful man to be accused of sexual misconduct is the hip-hop mogul who introduced us to sounds like this.

(SOUNDBITE OF SONG, "I NEED A BEAT (REMIX)")

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A TV Western comes to Netflix today. NPR TV critic Eric Deggans reviews "Godless," set in a frontier town inhabited almost entirely by women.

One of the most difficult tasks in Hollywood is to get someone who is successful to admit they are dead wrong.

That's a lesson comic Hari Kondabolu learned the hard way, while making his compelling, layered, highly entertaining documentary airing on truTV Sunday, The Problem with Apu.

On the surface, it's kind of a comedy primal scream: a passionate exploration of why the Indian character on The Simpsons, Kwik-E-Mart clerk Apu Nahasapeemapetilon, is racist.

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ABC's Grey's Anatomy might be the best show on television that TV critics rarely talk about.

Daniel "Hondo" Harrelson has a way with words that borders on magic. At least, it seems that way after watching a few episodes of CBS's newest police drama reboot, S.W.A.T.

In the new show, beefcake star Shemar Moore is Hondo, a nonwhite guy (the show isn't more specific) from a tough neighborhood in South Central Los Angeles who winds up leading a Special Weapons and Tactics police unit. Every chance he gets, he defuses tension with suspects or crime victims (often people of color) by telling them about his hardscrabble background.

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Snoop Dogg is reinventing himself. The rapper became a star working with Dr. Dre on a song about killing an undercover cop for the 1992 film "Deep Cover."

(SOUNDBITE OF SONG, "DEEP COVER")

DR. DRE: (Rapping) Yeah, and you don't stop.

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If you aren't caught up on The Walking Dead, be warned: This review discusses plot points from the seventh season.

What kind of Walking Dead will we see this season? Considering what the show's producers put fans through last season, it's a fair question.

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A new comedy premieres Sunday on Showtime called "White Famous." It's the story of a black performer's struggle to succeed in Hollywood. NPR TV critic Eric Deggans reviews an exploration of race in Hollywood.

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Space isn't quite the final frontier for Star Trek: Discovery. Instead, the first new Star Trek series to come to television in a dozen years faced a more challenging frontier: the skepticism of all us sci-fi nerds who wanted new Trek, but were wary producers might mess the whole thing up.

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Last night's Emmy Awards featured some unusual moments, including a song and dance from host Stephen Colbert.

(SOUNDBITE OF TV SHOW, "69TH PRIMETIME EMMY AWARDS")

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It's a red carpet day for television. The 69th primetime Emmy Awards are tonight. But we have awards of our own. Our TV critic, Eric Deggans, has voted on the shows he thinks deserve awards. So now we present the Deggys (ph).

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What, exactly, is The Orville supposed to be?

Is it, as some promotional ads on Fox suggest, an in-your-face satire of classic Star Trek-style science fiction shows – with trash-talking starship officers and a gelatinous blob of a life-form played by Norm MacDonald – crafted by the guy who created Family Guy and Ted?

Journalist-turned-TV producer David Simon is particularly good at two things: exposing the mindless, brutal institutions and systems that grind many Americans down, and humanizing people who normally exist at the margins of polite conversation.

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Who exactly was Whitney Houston?

Was she the radiantly beautiful pop princess who earned the love of mainstream America with enduring hits like I Will Always Love You?

Was she the down-to-Earth onetime gospel singer from the 'hood in Newark who couldn't believe when the crowd at the 1989 Soul Train Awards booed her as a sellout to black music?

Like a lot of kids in high school, Sam worries that he doesn't fit in.

"I'm a weirdo. That's what everyone says," declares the 18-year-old character at the center of Netflix's new dramatic comedy series Atypical.

One reason Sam struggles to fit in: He has autism.

As his character explains at the start of the first episode, sometimes he doesn't understand what people mean when they say things. And that makes him feel alone, even when he's not.

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