David Bianculli

David Bianculli is a guest host and TV critic on NPR's Fresh Air with Terry Gross. A contributor to the show since its inception, he has been a TV critic since 1975.

From 1993 to 2007, Bianculli was a TV critic for the New York Daily News.

Bianculli has written three books: Dangerously Funny: The Uncensored Story of 'The Smothers Brothers Comedy Hour (Simon & Schuster/Touchstone, 2009), Teleliteracy: Taking Television Seriously (1992), and Dictionary of Teleliteracy (1996).

An associate professor of TV and film at Rowan University in New Jersey, Bianculli is also the founder and editor of the online magazine, TVWorthWatching.com.

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TERRY GROSS, HOST:

Maggie Gyllenhaal stars in a new eight-part miniseries that couldn't be more timely: It's about a woman who finds herself embroiled in the Israeli Palestinian conflict.

They say every generation gets the science fiction it deserves, built around its biggest and most primal fears. Well, maybe they don't say that — but they should. In the '50s, all those movies about mutant giant monsters going berserk were a way for us to channel our fears about the atomic bomb. In the same way, in that same decade, all those body-snatcher movies were about being unable to tell friend from foe, or trust even your closest loved ones — the perfect paranoid parable for the Communist witch-hunting era.

Copyright 2014 NPR. To see more, visit http://www.npr.org/.

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DAVID BIANCULLI, HOST:

This is FRESH AIR. I'm TV critic David Bianculli. Sunday night, HBO presents a new TV version of "The Normal Heart," Larry Kramer's 1985 play about the early years of the AIDS crisis. Kramer himself wrote the screenplay adaptation, which stars Mark Ruffalo and Julia Roberts. Almost 30 years later, the drama is both presented and viewed differently. It almost has to be.

On Monday night, NBC presented The Maya Rudolph Show, a one-hour prime-time variety special executive produced by Lorne Michaels and featuring many of their mutual Saturday Night Live cohorts, including Fred Armisen, Andy Samberg and Chris Parnell. It also co-starred Kristen Bell, Sean Hayes and singer Janelle Monae. The Maya Rudolph Show was an intentional effort to bring back the old-school TV variety show, but with a new-school slant that bathed most of the show in a distancing self-awareness.

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DAVID BIANCULLI, HOST:

This is FRESH AIR. I'm TV critic David Bianculli. This weekend two very different TV productions attempt to do much the same thing - revisit old works of literature in the horror and suspense genre and adapt them with new approaches for a new generation. NBC's four hour miniseries version of Ira Levin's "Rosemary's Baby" barely justifies the attempt.

It's very easy, and not at all inaccurate, to divide dramatic series television into two eras: before Hill Street Blues — which has just been released on DVD in its entirety for the first time -- and after. Before NBC televised Hill Street in 1981, most continuing drama series were presented as stand-alone, interchangeable hours starring the same characters. Every week, TV detectives Joe Mannix or Theo Kojak or Tony Baretta would investigate a crime, catch the villains and wait for next week to do it again.

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TERRY GROSS, HOST:

This is FRESH AIR. The FX cable network premieres a new drama series tonight. It's called "Fargo" and has the same title as the 1996 Coen brothers movie. Our TV critic David Bianculli says it's a wonderful show in that same wacky spirit, but he says it's just as important to note what this new "Fargo" is not. It's not a remake, and it's not a sequel.

This review discusses the plotline of Mad Men, up through the end of Season 6.

Matthew Weiner's Mad Men begins its seventh season Sunday on AMC. Every season, as this outstanding period drama has made its way through the 1960s, Weiner has been increasingly insistent about the things he doesn't want critics to reveal in advance. This year, that confidentiality wish list is almost laughably long, and includes not only the year in which the story resumes, but also specifics about certain relationships — both professional and personal.

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