Bob Mondello

Bob Mondello, who jokes that he was a jinx at the beginning of his critical career, "hired to write for every small paper in Washington, D.C., just as it was about to fold," saw that jink broken in 1984, when he came to NPR.

For more than three decades, Mondello has reviewed movies and covered the arts for NPR News, seeing at least 250 films and 100 plays annually, then sharing critiques and commentaries about the most intriguing on NPR's award-winning newsmagazine All Things Considered. In 2005, he conceived and co-produced NPR's eight-part series "American Stages," exploring the history, reach, and accomplishments of the regional theater movement.

Mondello has also written about the arts for such diverse publications as USA Today, The Washington Post, and Preservation Magazine, as well as for commercial and public television stations. And he has been a lead theater critic for Washington City Paper, D.C.'s leading alternative weekly, since 1987.

Before becoming a professional critic, Mondello spent more than a decade in entertainment advertising, working in public relations for a chain of movie theaters, where he learned the ins and outs of the film industry, and for an independent repertory theater, where he reveled in film history.

Asked what NPR pieces he's proudest of, he points to commentaries on silent films – a bit of a trick on radio – and cultural features he's produced from Argentina, where he and his husband have a second home. An avid traveler, Mondello even spends his vacations watching movies and plays in other countries. "I see as many movies in a year," he says. "As most people see in a lifetime."

Copyright 2014 NPR. To see more, visit http://www.npr.org/.

Copyright 2014 NPR. To see more, visit http://www.npr.org/.

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MELISSA BLOCK, HOST:

Copyright 2014 NPR. To see more, visit http://www.npr.org/.

Transcript

BOB MONDELLO, BYLINE: He talked faster than the rest of us, he thought faster than the rest of us and now he has lived faster than the rest of. But, oh, the lives while he was with us.

ROBERT SIEGEL, HOST:

A Brooklyn bank, a sweltering crowd, swelling cheers as Al Pacino's charismatic bank robber baits the police with chants of "Attica. Attica. Attica. Attica."

That scene, along with the rest of Sidney Lumet's 1975 classic Dog Day Afternoon, was based on a true story. Now, an odd — and oddly compelling — documentary called The Dog brings us the story behind that true story, and if you're anything like me, it'll leave you alternately amused and slack-jawed in astonishment.

Published in Britain as Joss Whedon: Geek King of the Universe and in the U.S. less cheekily as Joss Whedon: The Biography, Amy Pascale's portrait of pop culture's man of just about any recent hour may not make her title subject any new converts, but it is hero-worshipping enough to make devoted Whedonites feel they're being inducted into the Scooby Gang.

Ireland's barrel-chested force of nature Brendan Gleeson plays a priest who has a date with murder in Calvary, John Michael McDonagh's comic but darkly existential detective story.

Movie theaters were swarming with Transformers this past weekend, and that'll also be true over the July 4 weekend. So this may not seem to be the best moment to bring out a sci-fi flick made on a budget that wouldn't cover catering for Optimus Prime. But "small" has its virtues sometimes, and the kid flick Earth to Echo is one of those times.

Bruce Robertson (James McAvoy) swaggers down the street at the start of Filth swiping balloons from children, ogling their mothers, flipping off foreigners and smirking as he ticks down a list of what makes Scotland a place where he feels he can be cock-of-the-walk.

"This nation brought the world television, the steam engine, golf, whiskey, penicillin and, of course, the deep-fried Mars bar," he snorts. "We're such a uniquely successful race."

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MELISSA BLOCK, HOST:

This is ALL THINGS CONSIDERED from NPR News. I'm Melissa Block. The long Memorial Day weekend usually marks the start of Hollywood blockbuster season. But it's been well underway with "Godzilla" and "X-Men" already in theaters. That said, there are another 87 would-be hits scheduled before Labor Day. We asked critic Bob Mondello for a selective preview.

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