Bob Boilen

In 1988, a determined Bob Boilen started showing up on NPR's doorstep every day, looking for a way to contribute his skills in music and broadcasting to the network. His persistence paid off, and within a few weeks he was hired, on a temporary basis, to work for All Things Considered. Less than a year later, Boilen was directing the show and continued to do so for the next 18 years.

Significant listener interest in the music being played on All Things Considered, along with his and NPR's vast music collections, gave Boilen the idea to start All Songs Considered. "It was obvious to me that listeners of NPR were also lovers of music, but what also became obvious by 1999 was that the web was going to be the place to discover new music and that we wanted to be the premiere site for music discovery." The show launched in 2000, with Boilen as its host.

Before coming to NPR, Boilen found many ways to share his passion for music. From 1982 to 1986 he worked for Baltimore's Impossible Theater, where he held many posts, including composer, technician, and recording engineer. Boilen became part of music history in 1983 with the Impossible Theater production Whiz Bang, a History of Sound. In it, Boilen became one of the first composers to use audio sampling — in this case, sounds from nature and the industrial revolution. He was interviewed about Whiz Bang by Susan Stamberg on All Things Considered.

In 1985, the Washington City Paper voted Boilen 'Performance Artist of the Year.' An electronic musician, he received a grant from the Washington D.C. Commission on the Arts and Humanities to work on electronic music and performance.

After Impossible Theater, Boilen worked as a producer for a television station in Washington, D.C. He produced several projects, including a music video show. In 1997, he started producing an online show called Science Live for the Discovery Channel. He also put out two albums with his psychedelic band, Tiny Desk Unit, during the late 1970s and early 1980s. Boilen still composes and performs music and posts it for free on his website BobBoilen.info. He performs contradance music and has a podcast of contradance music that he produces with his son Julian.

Longtime NPR fans may remember another contribution Boilen made to NPR. He composed the original theme music for NPR's Talk of the Nation.

When I first imagined Mucca Pazza at the Tiny Desk, I honestly had no idea how the Chicago band's 23 members would fit in — in the literal sense of the term. To load-test this performance, we actually gathered a gaggle of interns behind my desk and began to stack people on cabinets, step-stools and, of course, desks.

It might be easy to dismiss a music project from actor John Reilly, but that would be a huge mistake: Reilly is a fine singer, especially when he gets a hold of old-time material, and his guitar work provides a perfect foundation for these church and porch tunes from America's past.

This week on All Songs Considered, we start the show with new music Bob's been waiting for two years to hear: the great first single from Courtney Barnett's debut full-length album. Don't miss the video for "Pedestrian at Best" off her album Sometimes I Sit and Think, And Sometimes I Just Sit.

Paperhaus is my kind of guitar band, with power in the lyricism instead of just the chords. Its music can be jarring and jagged, but Paperhaus can also sound dreamy the way groups like Television could, with lilt and grit. These are long songs that take twists and turns of the variety you might find in a prog-rock band. But Paperhaus is more pop than prog, with excursions that serve the music rather than the musicians themselves.

The visual: A clown past her prime. The words: "Put me on a pedestal and I'll only disappoint you."

I was in Nashville, standing in line at a food/music festival, when this guy behind me hears my voice, recognizes me and says, "Hey, Bob Boilen! Bobby Bare Jr. here. I've been hoping to play your desk." Truth be told, I'd been hoping to make that happen, too. And so the deal was sealed over a pork bun. Thirty minutes later, at the same festival, Bare was on stage with his dad, the country legend Bobby Bare Sr., and Kings Of Leon. That's Nashville for you.

Before Rubblebucket played its Tiny Desk Concert, its members asked if they could bring a confetti cannon. And, though I said no — dear coworkers, I really do care about you — the band still brought a fun mix of brass and brash to the Tiny Desk.

This week on All Songs Considered: Our favorite electronic artist, Dan Deacon, is back with another playfully infectious dance party, one he recorded both in the studio and in bathrooms and greenrooms during his most recent tour. Also, NPR Music contributor Katie Presley joins us with a hypnotic groove from the Seattle-based duo THEESatisfaction and a slow-burning jam from New Orleans singer-songwriter Kristin Diable.

Trying to predict a musical future is impossible. I have proof: Bob Dylan is recording songs Frank Sinatra made popular! No one saw this coming and nothing could prepare us for it. It's weird and kind of wonderful. Here's a man clearly in love with the Great American Songbook and despite his restricted vocal he's brave enough to tackle it.

Amason is a Swedish musical pastiche with a lot of names and a lot of talent: Gustav Ejstes (from Dungen), Amanda Bergman (who performs as Idiot Wind), Petter Winnberg and Nils Törnqvist (from Little Majorette) and Pontus Winnberg (from Miike Snow) all contribute voices and sounds. So it's no surprise that Amason's debut feels all over the map. In fact, that's its strength.

Pages