Bob Boilen

In 1988, a determined Bob Boilen started showing up on NPR's doorstep every day, looking for a way to contribute his skills in music and broadcasting to the network. His persistence paid off, and within a few weeks he was hired, on a temporary basis, to work for All Things Considered. Less than a year later, Boilen was directing the show and continued to do so for the next 18 years.

Significant listener interest in the music being played on All Things Considered, along with his and NPR's vast music collections, gave Boilen the idea to start All Songs Considered. "It was obvious to me that listeners of NPR were also lovers of music, but what also became obvious by 1999 was that the web was going to be the place to discover new music and that we wanted to be the premiere site for music discovery." The show launched in 2000, with Boilen as its host.

Before coming to NPR, Boilen found many ways to share his passion for music. From 1982 to 1986 he worked for Baltimore's Impossible Theater, where he held many posts, including composer, technician, and recording engineer. Boilen became part of music history in 1983 with the Impossible Theater production Whiz Bang, a History of Sound. In it, Boilen became one of the first composers to use audio sampling — in this case, sounds from nature and the industrial revolution. He was interviewed about Whiz Bang by Susan Stamberg on All Things Considered.

In 1985, the Washington City Paper voted Boilen 'Performance Artist of the Year.' An electronic musician, he received a grant from the Washington D.C. Commission on the Arts and Humanities to work on electronic music and performance.

After Impossible Theater, Boilen worked as a producer for a television station in Washington, D.C. He produced several projects, including a music video show. In 1997, he started producing an online show called Science Live for the Discovery Channel. He also put out two albums with his psychedelic band, Tiny Desk Unit, during the late 1970s and early 1980s. Boilen still composes and performs music and posts it for free on his website He performs contradance music and has a podcast of contradance music that he produces with his son Julian.

Boilen's first book, Your Song Changed My Life, will be published in April 2016 by HarperCollins.

There's a lot of mediocrity to sort through when you hop from one club to another during a festival like the CMJ Music Marathon, five days during which bands flock to New York. So when I find stuff that stands out, that pushes the inevitable evolutionary boundaries of rock, I get really happy.

I've seen Oh Pep! four times in three cities in the past month, and needless to say, the Melbourne band's music is infectious. Oh Pep gets its Oh from Olivia Hally (vocals, guitar) and its Pep! from Pepita Emmerichs (violin, mandolin). These Australians fit well in Nashville during an Americana music festival, as they played fiddles and mandolins alongside guitars, bass and drums. Their harmonies are sweet, with lyrics that are thoughtful, deep, funny and poetic.

The way we listen to music evolves constantly. From wax cylinder recordings all the way through to today's streaming services, formats have come a long way. What's next? What does this unending metamorphosis say about the music industry? And what does any of this have to do with Robert De Niro?

My rule when booking Tiny Desk Concerts is to see artists live before they come to the office. I've heard many a great record only to be disappointed by a live show. But when I heard Andra Day sing "Forever Mine" from her album Cheers To The Fall, I decided to break my rule, sight unseen.

Deqn Sue rose above a crowd of close to 7,000 entries and almost won our Tiny Desk Concert Contest earlier this year. I so loved her song and her performance of "Magenta" that I invited Deqn Sue — along with her producer, Kelvin Wooten — to my desk to perform that song and more.

I've listened to Eskimeaux's O.K. more than any other record this year. I madly love this music: It's intimate, with abundant joy and sorrow. From that album, "Broken Necks" is a song about two lovers and friends trying to make it all work.

Good luck getting these tunes out of your head.

I first became enchanted with Marian McLaughlin's music when she was searching for ways to mix her quirky classical guitar picking with her equally unusual voice. McLaughlin follows her muse for a sound that occasionally recalls Joanna Newsom or the psychedelic folk music of The Incredible String Band.

As technology rules the sound of the day, it's good to be reminded how powerfully a single voice can transmit deep emotion. Joan Shelley made one of the most beautiful records of the year with just her voice and two guitars.

The Watkins Family Hour began a dozen or so years ago as a way for a group of friends to get together and play old and new tunes. For Sean and Sara Watkins, it served as a monthly bit of magic: a musical variety show filled with extraordinary talent in the world of folk, bluegrass and beyond at L.A.'s famous Largo.

NPR Music is in Nashville all this week for the 16th annual AmericanaFest. So the newest episode of All Songs Considered offers a big bundle of music from some of the acts who are playing the festival that the team is most excited to see. Before leaving D.C., Bob called up NPR Music's Ann Powers and NPR Music contributor Jewly Hight in Music City to talk about what Americana means, and who its newest and most promising voices are.

Are you a musician looking to be heard? If so — or even if you're not — give a listen to the first segment of a new series we're calling The Martin Atkins Minute.

We probably should have shot this Tiny Desk Concert in black-and-white. Listening to Leon Bridges, I hear a sound with its heart and soul rooted in 1962. There's purity in his soulful voice that's unadorned, untouched and unaffected by 21st-century pop.

If you're a fan of dark, incredibly dry, wry humor, you've just found Happyness. In 2014, I first heard the band sing these words on a stage in New York City, from the song "Montreal Rock Band Somewhere":

I'm wearing Win Butler's hair

There's a scalpless singer

With a Montreal rock band somewhere

And he's all right

Today, on our All Songs +1 podcast, we're doing something a bit different. It's a conversation between two people we love, Sharon Van Etten and Mimi Parker from the band Low, about being a mom and being in a rock band.

Watching Mitski perform at my desk, there are moments when I was worried for her. In her opening song, "Townie," the boys "are driving and they'll be drinking" — and a verse later, Mitski sings of love in ways that feel vengeful, not fruitful.

And I want a love that falls as fast

As a body from the balcony, and

I want a kiss like my heart is hitting the ground

I'm holding my breath with a baseball bat

Though I don't know what I'm waiting for

Eskimeaux's OK is easily my most played album of the year, next to the Courtney Barnett record. There's lighthearted, almost childlike beauty in the way Gabrielle Smith puts words to song. Here are OK's first lines:

In my dreams you're a bathtub running

You are warm and tender

And bubbling

Oh, you are cold and bristling and struggling

BOOTS is the most interesting new artist I've heard in 2015. You may have first encountered him writing and producing songs on Beyoncé's self-titled 2013 album. Earlier this year we premiered BOOTS' self-directed engaging short film/music video Motorcycle Jesus, complete with five brand new songs: his own songs.

Caroline Rose plays music as if she's just met her new best friend: It's fresh, fun and performed with contagious enthusiasm. The title of the first song she played at the Tiny Desk — "Yip Yip Yow" — hints at the fun to come in this brief, blazing set.

"Ladies and gentlemen.
The DJ.
Just threw up.
On the dance floor.
Party is over.
It's time to go!"

Mackenzie Scott's quiet early music gave hints that she could get loud, but I still wasn't prepared for the ferocity of her new work. Recording as Torres, she spends her new album Sprinter unleashing as-yet-unheard intensity and power, all while performing with incredible prowess.

Sprinter is the album that taught me to love Torres' music: It channels clear influences like Patti Smith and PJ Harvey, while still hinting at further growth. (She's only 24.)

I savor the moment of finding a band to love. I relish those first singles and EPs, and hearing their live sound take shape on record. And then they release their debut album.

The opening line of SOAK's debut album — "A teenage heart is an unguided dart" — contains the first words I heard from 19-year-old singer-songwriter Bridie Monds-Watson. Now, she's bringing that fragile, pure, thickly Irish-accented voice to the Tiny Desk.

When I first saw Shamir at NPR Music's SXSW showcase, the 20-year-old singer popped on stage with a Yo Gabba Gabba T-shirt and proceeded to light up the night with his disco-infused funk and joyful energy.

Attention all music geeks: Can you identify the 35 album covers Canadian singer Kalle Mattson re-creates in this video?

"Avalanche" is the title track for his new EP, to be released on Aug. 21. It's a big, bold sound for Kalle and draws from the influences of many of the musical heroes he pays homage to in this video, as he told us via email:

There's a reason Paul Weller is so respected by his fans despite his shifts in musical styles over the years. Weller follows his heart and his tunes stay true to the times and his age. I first heard him in 1977, when I bought a British import of a 45 and later an album, each called In The City, by The Jam. Inspired by The Who, the music of The Jam was infused with urgency and melody. Then Weller wanted more from music and began The Style Council with a bit of R&B, ballads and even jazz.