Bob Boilen

In 1988, a determined Bob Boilen started showing up on NPR's doorstep every day, looking for a way to contribute his skills in music and broadcasting to the network. His persistence paid off, and within a few weeks he was hired, on a temporary basis, to work for All Things Considered. Less than a year later, Boilen was directing the show and continued to do so for the next 18 years.

Significant listener interest in the music being played on All Things Considered, along with his and NPR's vast music collections, gave Boilen the idea to start All Songs Considered. "It was obvious to me that listeners of NPR were also lovers of music, but what also became obvious by 1999 was that the web was going to be the place to discover new music and that we wanted to be the premiere site for music discovery." The show launched in 2000, with Boilen as its host.

Before coming to NPR, Boilen found many ways to share his passion for music. From 1982 to 1986 he worked for Baltimore's Impossible Theater, where he held many posts, including composer, technician, and recording engineer. Boilen became part of music history in 1983 with the Impossible Theater production Whiz Bang, a History of Sound. In it, Boilen became one of the first composers to use audio sampling — in this case, sounds from nature and the industrial revolution. He was interviewed about Whiz Bang by Susan Stamberg on All Things Considered.

In 1985, the Washington City Paper voted Boilen 'Performance Artist of the Year.' An electronic musician, he received a grant from the Washington D.C. Commission on the Arts and Humanities to work on electronic music and performance.

After Impossible Theater, Boilen worked as a producer for a television station in Washington, D.C. He produced several projects, including a music video show. In 1997, he started producing an online show called Science Live for the Discovery Channel. He also put out two albums with his psychedelic band, Tiny Desk Unit, during the late 1970s and early 1980s. Boilen still composes and performs music and posts it for free on his website BobBoilen.info. He performs contradance music and has a podcast of contradance music that he produces with his son Julian.

Boilen's first book, Your Song Changed My Life, will be published in April 2016 by HarperCollins.

"'One More' is in your face. It's raw." Those words from Jasmyn Burke are plainspoken and true. Her band Weaves was my No. 1 discovery at CMJ 2015, quirky, loud and mysterious, four amazing and downright fascinating players. "One More" is the first song off their very first album. The Toronto-based band has worked on its upcoming debut for the last two years, almost as long as the musicians have been playing together.

Can two crushed hearts breath life into a desolate, dreary waterpark in the Mojave Desert? If they're PWR BTTM, armed with confetti cannons, glitter and a blasting rock song of lost love, the answer is: Of course they can.

These four musicians made their first record together a decade ago, but for many of us, 2016 will be the year Lake Street Dive becomes a household name. The appeal of this band of New England Conservatory friends lies in their warmth in harmony and comfortably styled songs — sometimes tilting toward soul, often rocking danceably on a new collection of songs called Side Pony.

Artists shine given restrictions and limitations. Subtlety and nuance are more easily found in minimalism than excess. That's the beauty of Brushy One String, whose sound is made by one big fat E-string and a voice so rich and full, all it wants is a bit of rhythmic and melodic underpinning.

Miya Folick, 'Oceans'

Feb 25, 2016

On this week's All Songs Considered, hosts Bob Boilen and Robin Hilton share songs from a trio of bands on the verge of releasing breakthrough albums. Bob starts the show strong with a jaw-dropping new song from Car Seat Headrest called "Vincent," which we also featured as a First Watch.

Wilco: Tiny Desk Concert

Feb 23, 2016

Thousands of bands have made strong debuts, and many of those have made good second and third records — it's harder, but not unusual. It's truly rare to make your 10th album exciting and relevant more than 20 years on. For all that, I'd say Wilco is an American legend.

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