Bob Boilen

In 1988, a determined Bob Boilen started showing up on NPR's doorstep every day, looking for a way to contribute his skills in music and broadcasting to the network. His persistence paid off, and within a few weeks he was hired, on a temporary basis, to work for All Things Considered. Less than a year later, Boilen was directing the show and continued to do so for the next 18 years.

Significant listener interest in the music being played on All Things Considered, along with his and NPR's vast music collections, gave Boilen the idea to start All Songs Considered. "It was obvious to me that listeners of NPR were also lovers of music, but what also became obvious by 1999 was that the web was going to be the place to discover new music and that we wanted to be the premiere site for music discovery." The show launched in 2000, with Boilen as its host.

Before coming to NPR, Boilen found many ways to share his passion for music. From 1982 to 1986 he worked for Baltimore's Impossible Theater, where he held many posts, including composer, technician, and recording engineer. Boilen became part of music history in 1983 with the Impossible Theater production Whiz Bang, a History of Sound. In it, Boilen became one of the first composers to use audio sampling — in this case, sounds from nature and the industrial revolution. He was interviewed about Whiz Bang by Susan Stamberg on All Things Considered.

In 1985, the Washington City Paper voted Boilen 'Performance Artist of the Year.' An electronic musician, he received a grant from the Washington D.C. Commission on the Arts and Humanities to work on electronic music and performance.

After Impossible Theater, Boilen worked as a producer for a television station in Washington, D.C. He produced several projects, including a music video show. In 1997, he started producing an online show called Science Live for the Discovery Channel. He also put out two albums with his psychedelic band, Tiny Desk Unit, during the late 1970s and early 1980s. Boilen still composes and performs music and posts it for free on his website BobBoilen.info. He performs contradance music and has a podcast of contradance music that he produces with his son Julian.

Boilen's first book, Your Song Changed My Life, will be published in April 2016 by HarperCollins.

OK Go helped us move the Tiny Desk from our old building to NPR's new headquarters, and The National performed the first full new-building Tiny Desk Concert we posted to the site, but Billy Bragg gave us the first full Tiny Desk Concert

I adore this song, and the video makes me love it all the more. "Green Blood" is from Sonny and the Sunsets' new album, Antenna to the Afterworld. It's a record filled with cinematic tales, told simply with guitars, bass and drums. And none of those tales are told as endearingly as they are in this song and video about love on a distant planet.

There's something endearing, old-timey and almost vaudevillian about Buddy Miller and Jim Lauderdale — even the way they bill themselves as "Buddy and Jim." Both veteran musicians are in love with country music in all its many forms and influences; their music incorporates the blues and bluegrass, rock 'n' roll and a good deal of craft.

In the seven months since Gary Clark, Jr. released his major label debut, Blak and Blu, he's played for the President at the White House with Mick Jagger and blues legend B.B.

A is for Alpine and it's also the name of Alpine's debut album. Alpine is a six-piece ensemble from Australia with an airy sound led by singers Phoebe Baker and Lou James. The group's album, A is for Alpine, has been out in their home since 2012, but it arrives in the U.S. on May 21.

Music videos are like funny math, where 1+1=3. That is, images have a meaning on their own, music has a meaning when you listen to it alone, but put images and music together and something new is born. 1+1=3. Try it randomly: put on a piece of music and watch a cartoon or an old movie ... people did it famously with The Dark Side of the Moon and The Wizard of Oz.

It was probably the best performance piece I've seen in more than a decade. Specific Ocean, a piece by the dance troupe/rock band People Get Ready, which I saw at the New York Live Arts theater in the fall, was a model for the ways musicians can break from the standard, sometimes boring, format of playing on a stage. Some of the songs from Specific Ocean ended up on the group's 2012 self-titled album. Now there's a video, a documentation of that amazing New York performance, featuring the song "Middle Name."

I first met Thao Nguyen in 2008, in the earliest days of the Tiny Desk Concert series. I was a big fan of her witty, catchy songs. After she finished playing the Tiny Desk, Thao said something that has endeared me to her forever. Walking toward the elevators on her way out of NPR, she said, "That was intimate and awkward ... a lot like my last boyfriend!"

There was a "fire in the belly" feel when Brainstorm took the stage at TenOak in Austin, Texas, during the South by Southwest music festival this past March. In its best moments, the trio from Portland, Ore., has an edge that embodies both African highlife guitar and the sounds of late-'70s post-punk a la Gang of Four.

The Postal Service was a band for a generation — the soundtrack to romance, tears and friendship. More than a million people bought its first album, 2003's Give Up, then waited anxiously for a follow-up that never arrived.

Playing a free concert comes with risks. Sure, more people will show up, but they may care less about who's on stage than they do about catching up with friends; ironically, it often means the band has to work harder to win over the crowd. Seattle's Ivan & Alyosha did just that on the final night of the 2013 South by Southwest music festival, at a club called TenOak in Austin, Texas.

Think of Lord Huron as an imaginary world as much as a rock band. Bandleader Ben Schneider has created characters and stories that fit together within an entire narrative filled with mystique. It's a bit dreamlike. To get an idea of how many layers there are in Schneider's invention, look at this website for author George Ranger Johnson. According to the site, George Ranger Johnson lives in Tuscon, Ariz. and writes adventure novels whose titles are identical to the song titles of the band Lord Huron.

I love live music. But figuring out who's coming to town and when and where isn't so easy. I could go to every club's website to compile a list of upcoming shows, but that'd be cumbersome. Newspaper listing are often incomplete, don't look ahead and certainly don't filter or highlight who's in town based on my musical tastes.

"The video has a puzzle structure: the whole story progressively makes sense to the viewer as minutes go by."

This is the most exciting new Sigur Rós song I've heard in a long time, and I love the band's music. "Brennisteinn" (sulfur) is a remarkably aggressive piece of music for musicians who can sound so ethereal: Dreamy elements remain, but they provide an underpinning rather than driving the pulse of the song.

You don't often see drums set up right near the lip of a stage, but not every band has a drummer as its focal point. Michael Benjamin Lerner formed Telekinesis by himself, and he plays most of the instruments on his records. But live at The Parish during South by Southwest in Austin, Texas, Lerner had a talented band that included Rebecca Cole from Wild Flag on keyboards, Erik Walters from The Globes on guitar and Eric Elbogen from Say Hi on bass.

The musicians in Paperhaus live in my hometown of Washington, D.C., so I've seen this dynamic band more than a few times. In fact, they put on some of the best house concerts in the city, over a hundred of them at their own venue, also called the Paperhaus, so I've seen them both in clubs and their intimate living room.

Unlike any other festival, South by Southwest is unique to everyone who attends. And I love that about this festival. With over 2,200 bands spread out over 100 venues and five days of music, everyone sees something different and walks away with different joys and discoveries. You could go to a Brooklyn Vegan showcase and spend the whole day in one place. You could search out only Latino bands, or metal bands, hip hop or blues. In fact, when the All Songs crew gathers to record our late night dispatches on the streets of Austin, Texas, we all share completely different joys.

There's another new song from David Bowie and it's called "The Stars (Are Out Tonight)." This is the second Bowie song in the past few months after a dry spell that lasted ten years. You can hear the song and watch the video, which contains some nudity.

I first saw Cat Martino at the best concert of my life. It was the summer of 2011 and Sufjan Stevens was performing at Celebrate Brooklyn. But within the spectacle -– a troupe of maybe a dozen performers on stage — was a singer and dancer named Cat Martino. I know that because a number of my friends at the show knew Cat and were screaming her name at the top of their lungs.

NPR Music will present and webcast a "First Listen Live" concert from Josh Ritter and the Royal City Band on Monday, March 4, beginning at 8 p.m. ET in the intimate New York City venue (Le) Poisson Rouge. Josh Ritter and his band will play most of his new album, The Beast in Its Tracks.

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At a show one night in Washington, D.C., Brendan Canty — a legendary and active local drummer, Fugazi alumnus, filmmaker and music fan — handed me a home-burned CD. The disc was just silver, with no writing or markings on it and music by his new band Deathfix, in which he performs with his friend and former Bob Mould bandmate and producer, Rich Morel.

I love a deadline and every February I get one. Thanks to The Wire, a small New Hampshire magazine that started the tradition in 2006, I make an album every year. They call it the RPM Challenge, and the challenge is this: write and record an album in the time between the first and last days of February. To qualify as an album, it just needs to be 10 songs or 35 minutes of music.

The Besnard Lakes have a new album coming out in April, and after hearing the song "People Of The Sticks," it's safe to say we're in for another soaringly gorgeous record from the Canadian rock group.

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