Ann Powers

Ann Powers is NPR Music's critic and correspondent. She writes for NPR's music news blog, The Record, and she can be heard on NPR's newsmagazines and music programs.

One of the nation's most notable music critics, Powers has been writing for The Record, NPR's blog about finding, making, buying, sharing and talking about music, since April 2011.

Powers served as chief pop music critic at the Los Angeles Times from 2006 until she joined NPR. Prior to the Los Angeles Times, she was senior critic at Blender and senior curator at Experience Music Project. From 1997 to 2001 Powers was a pop critic at The New York Times and before that worked as a senior editor at the Village Voice. Powers began her career working as an editor and columnist at San Francisco Weekly.

Her writing extends beyond blogs, magazines and newspapers. Powers co-wrote Tori Amos: Piece By Piece, with Amos, which was published in 2005. In 1999, Power's book Weird Like Us: My Bohemian America was published. She was the editor, with Evelyn McDonnell, of the 1995 book Rock She Wrote: Women Write About Rock, Rap, and Pop and the editor of Best Music Writing 2010.

After earning a Bachelor of Arts degree in creative writing from San Francisco State University, Powers went on to receive a Master of Arts degree in English from the University of California.

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Songs We Love
11:06 am
Thu November 6, 2014

Wild Moccasins, 'Eye Makeup'

Courtesy of the artist

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First Listen
9:03 pm
Sun November 2, 2014

First Listen: Marianne Faithfull, 'Give My Love To London'

Marianne Faithfull's new album, Give My Love To London, comes out Nov. 11.
Courtesy of the artist

Originally published on Sun November 16, 2014 7:01 pm

In many classic stories, there comes a point where someone speaks from the corner and changes everything. A stranger reveals the secret that solves a mystery; a minor character finally unburdens herself, and her words reconfigure the plot. Marianne Faithfull's music comes from that place of shadow and revelation.

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The Record
1:03 pm
Thu October 30, 2014

The Many New Voices Of Taylor Swift

Taylor Swift has called her fifth album, 1989, her "very first documented, official pop album."
Courtesy of Big Machine Records

Originally published on Thu October 30, 2014 5:27 pm

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Songs We Love
8:37 am
Thu October 30, 2014

Wade Bowen, 'Long Enough To Be A Memory'

Wade Bowen's song "Long Enough To Be A Memory" is a favorite of NPR music critic Ann Powers.
Courtesy of the artist

Originally published on Thu October 30, 2014 9:46 am

Right now, I'm sitting in a hotel in Cleveland, Ohio, eating a cheeseburger and listening to Texas country troubadour Wade Bowen's melancholy ballad about learning to make wherever you hang your hat your home. Like so many people trying to get and stay ahead, I travel for my work — not as much as the weathered but optimistic journeyman of "Long Enough To Be A Memory," but enough to relate to his sense of dislocation and his hope that maybe he'll finally stick in one place.

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All Songs TV
12:36 pm
Thu October 23, 2014

Fly Golden Eagle: 'Stepping Stone'

The members of Fly Golden Eagle, in a scene from their new video for the song "Stepping Stone."
Courtesy of the artist

Originally published on Sun October 26, 2014 3:25 pm

Making music in a band is always and experiment. The players throw different elements into the enzymatic mix, let it all bubble together, and come up with a new compound every time. Recording these interactions for something as self-promotional as a music video can feel intrusive, like freezing something volatile. But a creative team can have fun with this awkward encounter.

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The Record
2:33 am
Wed October 22, 2014

Are These The Next Crossover Country Stars?

Sam Hunt has written hits for both Kenny Chesney and Keith Urban. His debut album, Montevallo, is out on Oct. 27.
Chase Lauer Courtesy of the artist

Originally published on Wed October 22, 2014 6:41 am

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The Record
8:03 am
Thu October 16, 2014

Hear Two Songs From Duncan Sheik's Next Album

Duncan Sheik's seventh album, Legerdemain, will come out in 2015.
Shervin Lainez Courtesy of the artist

Originally published on Thu October 16, 2014 10:15 am

In April 2015, Duncan Sheik, a songwriter who has had hits on both pop radio and the Broadway stage, will release Legerdemain, his first album of original material since 2009's Whisper House and the first not connected to a theater piece since 2006's White Limousine. Sheik crafted the album in his Garrison, N.Y. studio, and he's sharing two songs from that album via NPR Music; you can listen and download both of them below.

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All Songs TV
8:48 am
Tue October 14, 2014

Steelism, 'Marfa Lights'

YouTube

Originally published on Sun October 26, 2014 3:26 pm

The Nashville instrumental group Steelism stands out for its ability to blend vintage styles — steel-guitar jazz, surf rock, the cool vibe of 1960s movie soundtracks — in ways that don't feel dated. Steelism's playfulness, embodied in the easy dialogues between guitarists Jeremy Fetzer and Spencer Cullum, Jr., freshens up everything its touches.

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First Listen
9:03 pm
Sun October 12, 2014

First Listen: Neil Diamond, 'Melody Road'

Neil Diamond's new album, Melody Road, comes out Oct. 21.
Micah Diamond Courtesy of the artist

Originally published on Wed October 22, 2014 8:54 am

In 1989, the producer Don Was approached Neil Diamond about making a record. "'I called [him] and said, 'Neil, I think you're a rock 'n' roll artist, but you lost your way, and I know how to make it right,' " Was told a reporter in 2013. The two went into the studio but only ended up with one song that has been released. Was had discovered that Diamond was anything but lost.

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The Record
9:42 am
Wed October 8, 2014

The Dream Of Ridiculous Men

The music on U2's new album, Songs of Innocence, reaches back toward the moment when the band was first building an audience.
Courtesy of the artist

Originally published on Thu October 9, 2014 10:54 am

The last short story Fyodor Dostoevsky wrote is about being seriously ridiculous. In "The Dream of a Ridiculous Man," an intellectual prone to existentialist despair is saved from suicide when, in a vision, he discovers a parallel planet where humanity has never sinned. "It was like being in love with each other, but an all-embracing, universal feeling," he tells the reader. This contact with Eden reinvigorates him, but then, during a playful moment, he teaches the planet's innocents how to deceive each other — and this leads to a catastrophic, Biblical fall.

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