Ann Powers

Ann Powers is NPR Music's critic and correspondent. She writes for NPR's music news blog, The Record, and she can be heard on NPR's newsmagazines and music programs.

One of the nation's most notable music critics, Powers has been writing for The Record, NPR's blog about finding, making, buying, sharing and talking about music, since April 2011.

Powers served as chief pop music critic at the Los Angeles Times from 2006 until she joined NPR. Prior to the Los Angeles Times, she was senior critic at Blender and senior curator at Experience Music Project. From 1997 to 2001 Powers was a pop critic at The New York Times and before that worked as a senior editor at the Village Voice. Powers began her career working as an editor and columnist at San Francisco Weekly.

Her writing extends beyond blogs, magazines and newspapers. Powers co-wrote Tori Amos: Piece By Piece, with Amos, which was published in 2005. In 1999, Power's book Weird Like Us: My Bohemian America was published. She was the editor, with Evelyn McDonnell, of the 1995 book Rock She Wrote: Women Write About Rock, Rap, and Pop and the editor of Best Music Writing 2010.

After earning a Bachelor of Arts degree in creative writing from San Francisco State University, Powers went on to receive a Master of Arts degree in English from the University of California.

Pages

Songs We Love
1:58 pm
Tue March 24, 2015

Torres, 'Sprinter'

Torres.
Shawn Brackbill Courtesy of the artist

Walk America's motor-mown playing fields on a Sunday afternoon, past baseball diamonds that look like half-hewn crop circles and running tracks cut in dirt or clay. See the swarms of children neatening themselves into game formations, each one trying to tamp down nervous energy and make her talent behave. Skinny legs protrude from nylon shorts quickly pulled on after the church clothes come off. Mothers sit and knit on the sidelines in collapsible chairs. Fathers stand, ready to go to the snack bar or sneak a cooler beer; ready to yell. This is fun?

Read more
Songs We Love
8:49 am
Tue March 17, 2015

Buffy Sainte-Marie, 'It's My Way'

Matt Barnes Courtesy of the artist

Originally published on Tue March 17, 2015 9:22 am

Sometimes the simplest declarations echo most forcefully through time. Repeated, growing and shifting to fit different contexts, phrases like I am somebody or give peace a chance or fight the power define and support the core experience of being human. So much can be communicated in just three or four words: self-respect; the connection between individual freedom and communal well-being; the determination to survive even in hard times; undying hope.

Read more
The Record
6:03 am
Wed March 11, 2015

Benjamin Booker Faces The Past

David Goldman Courtesy of the artist

Read more
Songs We Love
2:19 pm
Tue March 3, 2015

Banditos, 'Cry Baby Cry'

Courtesy of the artist

On the cover of its soon-to-be released Bloodshot Records debut album, the rock and roll marauders in Banditos are relaxing on an American flag. The huge banner makes up the floor and walls of a makeshift living room, where the group lounges in voluminous hair, hats and, on drummer Randy Wade, a motorcycle helmet. It looks like Banditos is waiting backstage at the club in at the end of the roots-rock universe.

Read more
The Record
8:21 am
Sat February 28, 2015

Sympathy For The Devils

Josh Tillman's latest album as Father John Misty, I Love You, Honeybear, is a sincere and shocking catalog of the main character's adventures in sex and love.
Emma Tillman Courtesy of the artist

Originally published on Sat February 28, 2015 2:17 pm

It's been five years since Kanye West raised his glass to "the a--holes" in the song "Runaway," a poetic taxonomy of bad behavior that formed the emotional center of his masterwork My Beautiful Dark Twisted Fantasy. It's a sad song about romantic failure, but also a strong statement connecting West to popular music's longstanding practice of being dangerously outrageous.

Read more
Songs We Love
1:38 pm
Tue February 10, 2015

Alabama Shakes, 'Don't Wanna Fight'

Alabama Shakes.
Courtesy of the artist

Originally published on Tue February 10, 2015 3:20 pm

Read more
First Listen
9:03 pm
Sun February 8, 2015

First Listen: The Mavericks, 'Mono'

The Mavericks' new album, Mono, comes out Feb. 17.
Courtesy of the artist

Originally published on Mon February 9, 2015 9:31 am

In his rockabilly history Go Cat Go!, ethnomusicologist Craig Morrison describes the typical cradle of rock 'n' roll: a community hall reconfigured to serve as a nightclub for a night. "There might be Christmas lights strung across the back of the stage, tables and chairs around the perimeter of the room, food available for purchase, and maybe booze," Morrison writes. A jittery, ambitious band plays as loudly as possible, in order to be heard over the din of all the flirting, fighting and dancing.

Read more
First Listen
9:03 pm
Sun February 1, 2015

First Listen: JD McPherson, 'Let The Good Times Roll'

JD McPherson's new album, Let The Good Times Roll, comes out Feb. 10.
Jim Herrington Courtesy of the artist

Originally published on Tue February 10, 2015 12:18 pm

Two stretched concepts made the rock 'n' roll coming out of Sun Studios in the 1950s unlike other music of its kind: time and space. In a shabby little room near downtown Memphis, Sam Phillips gave the men and kids he recorded all the room in the world. "Spontaneity" was Phillips' mantra, which was particularly potent for the youngest Sun cats.

Read more
The Record
10:53 am
Tue January 27, 2015

From The Isleys To Aaliyah To Frank Ocean, The Evolution Of 'Love'

Frank Ocean released an Aaliyah tribute, "At Your Best (You Are Love)," on the late R&B singer's birthday.
Courtesy of the artist

Originally published on Wed February 4, 2015 9:16 am

Read more
All Songs TV
6:03 am
Mon January 26, 2015

Andrew Combs, 'Nothing To Lose'

Andrew Combs.
Courtesy of the artist

Originally published on Wed February 4, 2015 9:18 am

For any young artist, an important leap happens when influences are absorbed and the act of mining the past transforms into something personal. That's what happens on All These Dreams, the second album from the singer-songwriter Andrew Combs, to be released in the U.S. in early March.

Read more

Pages