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Can racism cause post-traumatic stress? That's one big question psychologists are trying to answer, particularly in the aftermath of the shooting at the historically black Emanuel AME Church in Charleston, S.C., and the recent incidents involving police where race was a factor.

What's clear is that many black Americans experience what psychologists call "race-based trauma," says Monnica Williams, director of the Center for Mental Health Disparities at the University of Louisville.

Adm. Michael Rogers is among the American officials most likely to know which country perpetrated the Office of Personnel Management's massive data breach, possibly the biggest hack ever of the U.S. government. He's not only director of the National Security Agency, but also heads the U.S. Cyber Command.

As President Obama promised, a new rule would make 5 million more Americans eligible for overtime pay.

Many workers say it's a welcome change. But businesses say employees could see negative, unintended consequences.

Barrett Zenger has managed a music store in Corpus Christi, Texas, for the past seven years, where he oversees two dozen employees, stocks inventory and fills in for sales clerks who call in sick.

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RACHEL MARTIN, HOST:

She has taught generations of children important lessons and read them a whole lot of books.

(SOUNDBITE OF TV SHOW, "SESAME STREET")

SONIA MANZANO: (As Maria) "Goldilocks And The Three Bears" - an oldie, but a goodie.

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RACHEL MARTIN, HOST:

Instead of ignoring the strange things a woman's body does through motherhood and aging, Deborah Landau's new collection revels in them. It's called "The Uses Of The Body." Tess Taylor has our review.

For the last 44 years, you could ask Maria how to get to Sesame Street, but not any more. Sonia Manzano, the actress who has played the character since 1971, is retiring and won't be part of the next season.

Manzano, 65, announced the news earlier this week at the American Library Association Annual Conference.

Booze, drugs, Svengalis galore, rampant co-dependence: The bare bones of a crash-and-burn rocker bio-pic poke through Asif Kapadia's richly absorbing documentary about the short, sharp life of Amy Winehouse. Here and there Amy flirts with prurience, but prurience is hard to avoid with a young woman who, willy-nilly, lived her private life in public. And if ever there was an artist whose life and work fed one another for better and worse, it was Winehouse.

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