Originally published on Thu April 11, 2013 8:26 pm
You might be tempted to call World Cafe's Sense of Place: Nashville guest Moon Taxi a jam band — that is, if its instrumental excursions weren't so concise, carefully thought-out and frequently refined in the years it's spent touring.
The quintet formed at Belmont University in Nashville and released its debut, Melodica, in 2007. Moon Taxi's second studio album, Cabaret, came out last year. Here, the band performs an intricate live set and discusses what makes Nashville's independent music scene special.
Originally published on Thu April 11, 2013 8:27 pm
Tom Angelripper has been a part of the brash German thrash-metal game for more than 30 years now. Sodom's damning 1989 anti-war screed, Agent Orange, is a bona fide classic, but the impeccably named bassist and vocalist still has plenty of targets to hit and thundering bass riffs to deploy. Therein comes crashing "Stigmatized" from Sodom's 14th studio album, Epitome of Torture.
Originally published on Wed April 10, 2013 8:43 am
Jack White's Third Man Records has quickly become a cultural force in Nashville. The Third Man complex is situated in an industrial section of downtown, where it houses a retail store, the Third Man studio, a mail-order business and a music venue.
The federal government each year gives needy college students billions of dollars they don't have to pay back — $34.5 billion to be exact. More than 9 million students rely on the Pell Grant program. But a new study says much of the money is going to people who never graduate.
Sandy Baum, an expert on student financial aid, has been leading a group in a study of the 48-year-old Pell Grant program. Their report, commissioned by the nonprofit College Board, confirms what many have known for years about grant recipients.
There was a "fire in the belly" feel when Brainstorm took the stage at TenOak in Austin, Texas, during the South by Southwest music festival this past March. In its best moments, the trio from Portland, Ore., has an edge that embodies both African highlife guitar and the sounds of late-'70s post-punk a la Gang of Four.